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11 juni ChaosOne must still have chaos in oneself to be able to give birth to a dancing star !!! Nietzsche Dance....Dance as though no one is watching you Love as though you have never been hurt before Sing as though no one can hear you Live as though heaven is on earth SOUZA 30 mei Neden İnsanlara Yardım Ediyorsun?NEDEN İNSANLARA YARDIM EDİYORSUN?Hepsi de yoğun bir şekilde hayırseverlikle ya da yararlı sosyal ve politik işlerle uğraşan, her biri de son derece fedakar olan dört insandan oluşmuş bir grubu hayal edin. Birisi onlara şöyle sorar: ''Neden insanlara yardım etmek için bu kadar çok uğraşıyorsunuz?“ Dört adamdan şu yanıtları alıyoruz: Birincisi: “Bana göre insanlara yardım etmek benim görevim ve ahlaki sorumluluğum.'' İkincisi: “Ahlaki sorumluluk? Ahlaki sorumlulukların canı cehenneme! Bunu yalnızca, sıkıntı çeken insanları gördüğümde yardım edemeden duramadığım için yapıyorum. “Üçüncüsü: “Ben asla görev ya da ahlaki sorumluluklar gibi şeylerle ilgilenmedim. Yalnızca bu insanlar için üzülüyor ve onlara yardımcı oluyorum.” Dördüncüsü: “Neden mi böyle yapıyorum? Gerçeği söylemem gerekirse, neden böyle yaptığım konusunda en ufak bir fikrim yok. Yalnızca doğam böyle davranıyor; söyleyebileceğim tek şey bu.” Bu dört yanıtı karşılaştırmak hoşuma gidecek. Son yanıtı çok sevdim. Oldukça Taocu ya da Zen Budist bir yanıt. Bence bu insan, Tao ile tümüyle uyum içinde görünen gerçek bir bilge ya da aziz. Dördünün içinde doğal, kendiliğinden ve kişisel olmayan bir bilinçlilikle yardım eden bir tek O. Eğer bir Tanrı varsa, umarım ilkönce onu cennete gönderir! Umarım onun hemen ardından da üçüncü adam cennete girer. Bana oldukça Budacı bir insan gibi göründü: Biraz fazla kişisel bilinci olsa da şefkatli, ama “ahlakçı” değil. Birinci ve ikinci adamı kıyaslamak ilginç olacaktır. İkisi de benmerkezci, ama ikisi de farklı! İkincisi biraz huysuz da olsa, bir bakıma sevimli ve mizahi yönü olan bir insan. Hoşuma giden yani, “sert görünümlü, ama altından bir kalbi olan” (tıpkı Humphrey Bogart'ın bazı karakterleri gibi) bir insan olması. Aslında duygusal olduğu gerçeğini kabul etmekten utanan, oldukça sevimli bir insan. Eğer Tanrı olsaydım kesinlikle onu da cennetime alırdım. Ama ilk adam! Aman Tanrım ne canavarlık! Bu tipler genellike ,gururlu, gösterişçi, benmerkezci, sofu, insanlık dışı, hükmedici ve sevimsiz olurlar. Bunlar, “ilkelerle” hareket eden insanlardır. Bir anlamda hiç kimseye yardım etmeyen insanlardan çok daha kötüdürler! Eğer ben Tanrı olsaydım, tabii ki onu da cennetime alırdım; ama yalnızca kısa bir süre için! Ardından biraz daha fazla “eğitim” için onu dünyaya geri yollardım. Bazı pragmatik okuyucular şöyle söyleyebilirler: “Bir insanın söylediği şey üzerinde durmaya ne gerek var; hepsi de aynı şeyi yapmıyorlar mı sonuçta? Bir insanın ne kadar yardımsever olduğu onun kişiliğinden ya da böyle davranma nedeninden daha önemli değil mi?” Yanıtım “Hayır”. Eğer insanların eylemleri yardımseverse, ama yanlış bir ruhla yapılıyorsa, bu yardımların yardımsever olmayan davranışlar kadar zararlı olabileceklerine inanıyorum. Sanırım şu Çin atasözünden çok etkilenmiş olmalıyım: “Yanlış adam doğru şey yaptığında, genellikle yaptığı şey yanlış olur” TAO SESSİZDİR/ Raymond M. SMULLYAN 26 maart OUTLINE OF VIRTUAL SEMIOTIC METHODOLOGY FOR UNDERSTANDING SOCIAL COMPLEXITYIntroduction Soft System Methodology (SSM) is a systematic inquiring process developed by Peter Checkland for analysis of poorly defined systems with a strongly imbedded 'human element'. According to Checkland, "models in SSM are constructs which represent, from some explicit pure point of view, purposeful human activity."[1]. SSM inquiry is structured around a comparison between a real-world problem situation and conceptual models of relevant systems of purposeful activity and includes the following three major stages: Stage 1. Finding out about the problem situation Stage 2. Use of systems thinking to build conceptual models of the situation Stage 3. Taking actions to improve the situation. The above three stages incorporate also Vicker's appreciative system approach [2] in a series of participatory action research cycles repeated until satisfactory (from points of view of the participants concerned with the problem situation) improvements are reached. SSM is useful for studying problem areas where human expertise is of a vital importance. This makes SSM effective in the development of problem-driven expert systems. Fuzzy logic has been successfully used in various practical applications of these systems [3]. In complex and chaotic dynamics of to-day's society, where economical, political, ecological, cultural, etc. phenomena, events and processes emerge in unpredictable way out of a tangled web of ever-changing interactions of huge number of interwoven factors, SSM constructs of 'purposeful human activity' lose their efficiency. Well-defined problems simply do not exist in such an environment, and poorly or ill definitions often bring inquiry processes to blind alleys. Nonlinear dynamic world of spontaneous emergence and bifurcations, chaotic attractors and fractals, autopoiesis and self-organization call for new methodologies free from fixed periodicity of action learning cycles, from fragmentarity of experts' knowledge, from adopted standards of optimal ('good', 'right', 'ethical', etc.) value judgements, from the burden of time linearity and related to it cause-and-effect explanations, from the entire ideology of purposeful improvements which permeate most of the approaches under the umbrella of SSM. Any pre-selected purpose, goal, objective, value standard, milestone and plan inevitably stumble over the chaotic dynamics of social complexity. Even the term improvement does not make much sense when dealing with ever-emerging turbulence in the flow of life. How can we improve the whirlpool in the flow of a river? Improvements always imply purposive interventions, that is, interventions guided by preliminary defined purposes. Such purposes turn to be misleading when dealing with sparkling spontaneity of self-organizing processes of reality. And it is this sparkling spontaneity which propels the best of our capabilities as humans - to create, discover and discriminate between truth and illusions. A purposive rational inference or intervention, be it individual or participatory, hard or soft, precise or fuzzy, linear or cyclic, theoretical or experiential, ontological or epistemic, ethical or aesthetical, action-research or action-learning based, cannot help but limiting serendipity of those who navigate through the labyrinth of chaos and complexity. Serendipity is a virtual faculty - it could be evoked, explored, nourished and energized, but never purposed or imposed, inserted or transferred from one place to another, prescribed or ordered, directed or controlled. It needs freedom in order to self-realize and blossom. It needs a different type of logic - a logic that underlies processes in their becoming and thus helps to 'sense' the meaning of what is going to emerge. The logic underlying processes in their becoming is virtual. The meaning of what is going to emerge is a virtual meaning. Virtual Semiotic Methodology applies virtual logic and operates with virtual meanings when exploring the whirling dynamics of social complexity. Both verbal and non-verbal human expressions have a unique temporal property: the meaning of an expression simultaneously reflects past, present and future of individual and group experience. Past relates to the probabilistic characteristic of an expression: the expression appears as the most probable response under the experience and knowledge accumulated in the past. Present refers to the actual circumstances facilitating both the formation and interpretation of the expression. Future evokes possibilities for new comprehension of the expression and thus provides a virtual space for evolution of its meaning. In continuity of human experience, meaning always espouses virtuality. This was perfectly understood by Peirce - the co-founder (together with Saussure) of semiotics, who wrote in 1905: "No present actual thought has any meaning, any intellectual value; for this lies, not in what is actually thought, but in what this thought may be connected with in representation by subsequent thoughts; so that the meaning of a thought is altogether something virtual" [4]. According to Kauffman [5], virtual logic is "that which energizes reason": "Virtual logic is not logic, nor is it the actual subject matter of the mathematics, physics or cybernetics in which it may appear to be embedded... It is the pivot that allows us to move from one world of ideas to another." Kauffman is convinced that what empowers us 'to move from one world of ideas to another' is not necessarily itself purposive, reasonable or logical. "There are many ways in which we encounter this sort of virtuality. One way is to proceed from within an apparently logical system and push its boundaries, find its limits. Another is to arrive from without in a leap, a bound, a jump into something new." The way we have adopted is the way of semiosis - a process of using, consciously or unconsciously, various signs and signs structures when making sense of a complex dynamic pattern as a whole. The wholeness is a virtual entity - its numerous dynamic aspects have unlimited potential for becoming, that is, expanding or withdrawing, sustaining or destroying, transforming or transcending themselves. The process of making meaning about the wholeness, that is, the process of semiosis, is impregnated by this virtuality. Peirce put it directly: semiosis is inherently virtual - it inevitably includes appearance (emergence, discovery, creation) of connections (relations) between signs (things, events, phenomena, processes), a priori seen as not interacting with each other. Because of its virtuality, semiosis provides a basis for exploring holistic nature of complex reality, where 'everything relates to everything', and for eliciting distinguishable dynamic patterns emerging out of the tangled web of interdependent relationships. The roots of semiosis are in the fertile soil of direct living experience, 'ploughed' by the human vigor to understand its emergent enigmas and paradoxes. Example 1 Let us use virtual logic to elicit the relations between the constituents of the following three dynamic complexes: ´ body, mind, and nature ´ perception, representation, and consciousness ´ time, space, and existence. Each complex has a triadic 'fractal' structure. Mandelbrot's concept of fractals [6] is used in chaos theory to explain the nested structures of chaotic (strange) attractors. Fractals reveal both the integrity (wholeness) and diversity of complex formations and provide a key for understanding their intricate dynamic behaviour. In the first nested complex, 'body' has the potential to virtually affect the functioning of 'mind', and 'mind' can be empowered (energized, inspired) to affect, again virtually, the functioning of 'body', while they both inseparably exist in the wholeness of 'nature'. Nature manifests through them, keeps their integrity, and nourishes their functioning. And vice versa, the level of development of body and mind abilities determines the ways an individual perceives nature. The virtual interplay between the 'fractals' of the second complex: perception, representation and consciousness are described by Kristeva [7]. For Kristeva semiosis is a complex process of signification emerging out of the interaction of a large number of activities aimed at widening the virtual meaning of signs. She characterizes these processes as "waves of attack against stases": both perception and representation demonstrate human potential to prevent unchanging signs from 'entering' consciousness. The waves of attack reveal continuity of co-evolving dynamics of perception and representation in the complex process of signification: at the level of representation, it becomes possible for the images of repeated stimuli to be continuously constructed, against which perception matches the incoming signs. The effect is a virtual defense of consciousness against penetration of repetitive stimuli. In the third complex, existence unfolds in a spatio-temporal continuum. Animated and non-animated existential forms need space to expose their virtual properties. Through their spatial changes, it becomes possible for time to express itself. Thus time also needs space for its virtual manifestation. And vice versa, every point in space needs time to exhibit potentiality for self-organization of the existential forms located at this point. Through the cyclic triad of creation, preservation and destruction (transformation), time and space demonstrate continuity and the wholeness of existence. As far as semiosis is a process common to all existential forms, it can be used as a source for developing a methodology for studying dynamics of these forms. We refer to it as Virtual Semiotic Methodology. Virtual Semiotic Methodology (VSM) aims at discovery or creation of virtual connections between events, phenomena and processes considered in their unfolding dynamics. When approaching social complexity, VSM can use signs and sign structures of various forms (words, images, music, verbal and non-verbal expressions, narratives, Internet, multimedia) to explore and navigate through the ocean of human experience at different levels of its manifestation. Working with VSM: Practical Considerations 1. Unchanging environment communicates nothing, therefore it does not represent According to Allot [8], in order to be able to perceive change, the perceiver must have retained the pattern of what constitutes an expected flow of events (situations, phenomena), that is, a flow of events considered as a 'normally expected'. Allot underlines that complexity of our brains must be structured in terms of some kind of 'expected' environment and "perception is the result of interaction, or matching between the expected environment and the current environment by which change is detected". If no change is detected, Kristeva's 'waves of attack against stasis', mentioned in Example 1, will prevent the emergence of meaning for the perceiver. Example 2 The bearers of the most meaningful signs for the survival of any firm are the markets, because of their rapid and unpredictable changes driven by competition, shifts in technology, and permanent interplay of various economical, political and cultural factors. With the highest chance for survival are those firms that are able quickly to adjust their rhythm (characterized by two vital signs: pace of introducting new products and 'choreography' of transitions from one activity to another) with the dynamics of markets' characteristics. In the presence of high-velocity markets the way for dealing with future is not through scenario planning or building predictive models but by promoting individual and organizational capacity for change. The viability of an organization is not judged by the presence of signs revealing its sustainability (persistence through stability) but depends on the dynamics of signs demonstrating its fitness for change, ability to 'embrace' the unknown and to co-evolve with it. 2. Signs group in dynamic sign structures with different degrees of complexity For example, the expression "war in Kosovo" represented a complex sign structure simultaneously pointing to:
Simultaneous consideration of the available narratives helps to create an integral multidimensional meaning of the war in Kosovo as a ruthless social expression of the worst characteristics of human nature at the end of this bloody second millennium: intolerance to others' ways of thinking, thirst for power, and lack of unconditional virtues. With VSM we constantly try to capture as full as possible the meanings of all available parallel sign structures in their dynamics and diversity, and thus to facilitate the emergence (or creation) of a coherent virtual meaning of the reality expressed through each of these structures. 3. Static sign structures are incompatible with VSM Static sign structures bear pre-imposed, fixed meanings. Every military command is an example of such a structure. Dictators, bureaucrats and 'experts' all around the world prefer to deal with this kind of structure. Powerful economic, political and religious oligarchies conduct phenomenal brainwashing in to-day's world aimed at inserting static sign structures into human perception, interpretation and consciousness. The media (particularly, commercial TV channels) constantly impose fixed patterns of economic behaviour in service to a society based entirely on consumption, and thus stupefy billions of people, trying persistently to transform them into frantic competitive money-making robots. It is clear, that such transformation serves mostly to those who already possess a tremendous financial power in society. VSM hardly tolerates meanings fixed once for ever. The whole idea of VSM is to liberate the meaning out of the prison of any pre-imposed interpretation and hence to extend its virtual space. Once the meaning is liberated, it would be difficult to push it again into a box with a fixed label. 4. Any knowledge 'for sure' may have fatal consequence on VSM application The meanings related to such kind of definite knowledge tend to substitute for the meanings extracted from direct human experience. This is a psychological paradox, which is extremely difficult to be dealt with. Once the meaning of living experience is substituted by a meaning fixed by a doctrine (dogma, prejudice, standard, stereotype, habit), VSM loses its creative potential, as its roots lay in direct experience of reality, that can never be fixed nor standardized. Example 3 (1) Most of us know 'for sure' that everyday relaxed walking (or some kind of individually tailored physical exercises) is good for health, and yet we hardly find time for this. So often the meaning of this sign structure has been repeated, discussed and emphasized that it has become a bearer of a fixed meaning. Once the knowledge is fixed, the paradox of using this knowledge as a substitute for the genuine experience starts to operate. As a result, we hardly find time for walking or exercising; we prefer to be involved in activities the outcomes of which are uncertain: their meanings appear 'virtual' for us. Virtuality of meaning acts as an attractor in the dynamic continuum of our experience. (2) Usually the addicts know 'for sure' that the addiction (alcohol, smoking, gambling, gluttony, etc.) can be fatal for their life; moreover, they are even convinced that they are able to change their addictive behaviour in any moment. This definite knowledge becomes an impassable psychological barrier for practically dealing with the addiction. That is why the first thing an alcoholic anonymous (AA) does is to declare genuinely his/her ignorance both about the nature of the addiction and about any prescribed way to stop its urge. Through surrendering to a force that is unknown and greater that personal 'determinacy' to fight the fatal addiction, AA succeeds in dealing with it. Paradoxically enough, the more liberated (unfixed and flexible) our knowledge related to a specific sign structure, the easier we move into virtual space of meanings beyond this structure, and hence the higher our capacity to apply VSM. It appears that a kind of 'disestablishment' of the meaning carried by a certain sign structure is necessary for its further virtual development; acceptance of 'disorder' (breaking certainty) at one scale is often consonant with 'order' (emergent of a coherent meaning) at another scale. 5. Fractality contributes in understanding virtuality Fractals represent similar patterns appearing at different levels (scales) of a complex structure. Each pattern is an image of the whole structure. The patterns that appear at different levels of a complex sign structure are bearers of meaning - they also exhibit similarity, as each of them relates to the same sign structure. Even tiny changes in the meaning at one level can immediately affect the meanings related to the other levels, and thus the meaning of the sign structure as a whole, that is, its virtual meaning. This kind of ïbutterfly effectÍ is of enormous significance for the practical application of VSM. It makes possible to radically change virtual meaning of a complex sign structure by consciously generated small changes in the meaning related to a level that is relatively easy to observe and study. Example 4 Human health can be considered as a complex dynamic sign structure with three typical levels of manifestation: physical, emotional and mental. Although each level has its own set of signs indicating the state of individual health, there is similarity between the levels. For example, the signs of tension (or stress) observed in an individual indicate high degree of similarity through all the levels. This similarity makes tension and stress easily recognizable, no matter what level it reveals itself at. Semiotic dynamics of the signs (indicators) of tension reflect both the current degrees of vulnerability of each level and the intensity of the source of tension. If an intensive source of tension is activated at mental level (in the mental 'fractal' of health), one can expect virtual decrease in individual's ability to concentrate and think productively. If, despite of intensity of this source, the individual succeeds in keeping the efficiency of his/her thinking capacity high enough, tension will inevitably 'explode' either at emotional or at physical level, depending on which level is more vulnerable at the moment. "Mens sana in corpore sano" (Healthy mind in a healthy body) says the famous Latin phrase. Translated into the language of fractal, this means that by actions, stimulating positive changes captured by the signs of health at physical level, we affect positively also our health at emotional and mental levels. As a result, changes occur in the whole virtual space of the dynamic sign structure related to the overall state of our health. The reverse Latin phrase: "Corpore sano in mens sana" (Healthy body in a healthy mind") also makes sense in the semiosis of fractals and virtuality. Positive emotions, combined with mental patterns in which we see ourselves healthy and capable to deal successfully with occurring health problems, bring forth favorable changes in our physical health (demonstrated through its dynamic sign structure), and thus affect the virtual space of the sign structure related to our health as a whole. Dealing with Self-Organization By providing a limitless virtual space for meaning to emerge, VSM simultaneously creates free space for self-organizing capacity of complex dynamics to reveal the characteristic signs of its nature. VSM does not try to push the dynamics of signs into Procrustean beds of various 'hard' and 'soft' theoretical models. On the contrary, its exploratory tools adapt to and co-evolve together with self-organizing dynamics of the signs. The approach used by VSM for understanding and working with self-organization includes:
(1) At individual level, 'nudging' from within means experimenting with various experiential options in order to capture the signs of 'resonance' for some options with the inner personal drive for evolution and growth. The 'voice' of the inner drive is often very silent and requires high level of attention, observation and vigilance. Once heard, the voice of individual self-organization can be amplified and provided with virtual space for realization. Education and self-education intend to offer such a space. (2) Self-organizing capacity of an organization is revealed through a joint activity of its members. The more complementary and coherent this activity, and the lower the degree of using a power-based hierarchy, the stronger the collective self-organizing ability of the organization. A great deal of to-day's research in complexity is devoted to explore practical ways of stimulating self-organizing capacity of organization [9]. Society is becoming more complex and dynamic, and the manifestation of spontaneous social self-organization (including self-organizing criticality) is more evident. Social researchers need to keep pace with this process by bringing new dimensions to their understanding of and dealing with the social dynamics. Virtual Semiotic Methodology (VSM) tries to extend systemic inquiring process beyond the scope of Soft System Methodology, and thus to make it applicable to self-organizing dynamics of social complexity. At the core of VSM is the process of virtual semiosis: use of various signs and signs structures while making sense of a complex dynamic structure as a whole. Examples eliciting various social applications of VSM reveal it as a form of evocative exploration, the future development of which will require elaboration and refinement of semiotic tools to stimulate both the self-organizing capacity and the evolutionary drive of the individuals and society. 1. Checkland P. 1981 Systems Thinking, Systems practice, John Willey 2. Checkland P. and A. Casar, 1986 Vickers' Conept of an Appreciative System: a Systematic Account, Journal of Applied System Analysis, 13, pp.3-17 3. Reznik L., V.Dimitrov and J. Kacprzyk (eds.), 1998 Fuzzy Systems Design: Social and Engineering Applications, Heidelberg: Physica Verlag 4. Peirce C., 1982-93 Writings of C. Peirce: A Chronological Edition in Five Volumes, Manuscript 291, Eds. C. Kloestel et al., Bloomington: Indiana University Press 5. Kauffman L., 1997 Virtual Logic - Fixed Points and Paradoxes, Cybernetics and Human Knowing,4, p.65 6. Mandelbrot B., 1982 The Fractal Geometry of Nature, NY: Freeman and Co. 7. Kristeva J., 1984 Revolution in Poetic Language, NY: Colubia University Press 8. Allott, R. 1997 Language and the Origin of Semiosis, Internet publication 9. Lissak, M. and Gunz, H. (eds.) 1999 Managing Complexity in Organizations : A View in Many Directions, Quorum Books. 15 maart MİKRO KOZMİK KAOSTAN MAKRO KOZMİK KAOSAİnsan vücudunun mikro kozmik düzeydeki faaliyetinden, üzerinde yaşadığı dünyanın bir ölçüdeki makro kozmik faaliyetine uzanan kısa bir seyahate çıktığımızda, yaşantımızın nasıl bir kaotik sistem içerisinde oluştuğunu gözlemlememiz mümkündür. Öyle ki; kalp atışlarımızdan düşünce sistemimize, oradan da dünyamızın meteorolojik yapısına uzanan muazzam bir kaos egemenliği ile karşılaşarak şaşırabiliriz. Israrla belirtmekte fayda var ki, burada söz edilen "kaos", düzensizlik ve kargaşa anlamına gelmiyor, sadece bilim dünyasının değişik bir yapıyı açıklamak için kullandığı özel bir terim. Bedenimizin iç yapısı ve belli başlı organlarımız üzerine yapılan bilimsel araştırmalar gösteriyor ki, tıpkı doğanın diğer birçok atom altı sistemlerinde olduğu gibi, insan bedeni de kaotik sistemlerle işlemektedir. Örneğin, insan beyninin çalışma sistemini incelemek için yapılan araştırmalar, düşünce faaliyetinin artışıyla beyin dalgalarının giderek kaotik bir yapıya büründüklerini gösteriyor. Beyin dalgaları, nöronların ateşlenmesi ile ortaya çıkan elektrik sinyalleridir. Beyin dalgaları, deneklerin elektro ansefalografa bağlanması ve bu aletin ekranında çizgilerin belirmesiyle tespit edilmektedir. BEYİN KASIRGALAR OKYANUSU İnsan beyni adeta bir kasırgalar okyanusu gibidir. Düşünme derecesi arttıkça kasırgaların şiddeti artar ve giderek karmaşık bir görünüm sergilemeye başlarlar. Beyindeki bu kaotik işlemler bütünlüğünü anlamak için yapılan deneylerden biri de şudur: Bu çalışmada denekler önce elektro ansefalografa bağlanıyorlar, kendilerinden hiçbir şey düşünmemeleri isteniyor ve beyin dalgaları kaydediliyor. Daha sonra deneklerden 700'den geriye doğru yedişer yedişer saymaları isteniyor ve beyin dalgaları kaydediliyor. Görülüyor ki, geriye sayarak düşünen deneklerin beyin dalgalarının elektro ansefalograf (EEG) çizgileri dinamik artışlar kaydediyor ve giderek önceden tahmin edilmesi imkansız bir akış içine giriyorlar. Bunun gibi, bu konuda yapılan başka bir araştırmaların sonuçları da çok ilginçtir. Bu deneyde sara hastalarının kriz durumundaki EEG çizgileri kaydedilmiş ve normal insanların EEG çizgileriyle karşılaştırılmış. Ortaya çıkan sonuç son derece ilginç: Sara krizi sırasında beyin dalgaları daha düzenli ve periyodik bir hal almaktadır. Bu tür deneyler bilim adamlarına, beynin asli düzeninin kaotik olduğu ve ancak hastalıklı gibi olağanüstü durumlarda, düşünce akışının düzenli bir hale büründüğünü göstermiş oldu. Beyin üzerinde yapılan deneylerin dışında, kalple ilgili olarak yapılan araştırmalarda, sağlıklı bir kalbin vuruş düzensizliğinin, sağlıksız olan bir kalbe göre daha kaotik olduğu gözlemlendi. Bu araştırmalara göre, sağlıklı bir kalp, vuruşlarını belirli bir aralıktaki frekanslar içerisinde devamlı olarak değiştirmektedir. Kalp yaşlanıp, hastalanmaya başladıkça vuruşlar düzensizliğini kaybedip daha periyodik olmaktadır. BEDENDEKİ KAOTİK ETKİ Bedenimizde varolan kaotik sistemi iyi anlaşılırsa bazı temel bilgiler yerli yerine oturabilir. Peki ama beynimiz ya da kalbimiz neden kaosa gerek duyuyor? "Sağlıklı olmak için" diye yanıtlıyor, bu konu üzerinde çalışan Ary Goldberger ve ekliyor: "Çevrenizdeki şartlar sizi değişik hareketler yapmaya zorluyor. Eğer siz periyodik ve monoton bir dinamiğe sahipseniz, çevrenizdeki düzensizliğe uyum sağlayamazsınız. Çevreye uyabilmenin ve gerekli esnekliğe sahip olmanın tek yolu kaostur. Kaos; düzenli, kontrollü bir düzensizlik içerir." ilginç değil mi? Her ne kadar burada araştırmacının söyledikleri kendi öznel düşüncelerini yansıtıyorsa da, yine de gelecekte kaos üzerine yapılacak araştırmaların gündelik hayatımıza dek inebilecek etkilerini şimdiden tahmin edebilmemizi kolaylaştırmaktadır. Ünlü düşünür Fritjof Capra ise "Dönüm Noktası" adlı kitabında bu konuda söylüyor: "Sağlığa sistemler açısından bakış, hayata sistemler açısından bakışa bağlıdır. Gördüğümüz üzere, canlı organizmalar yüksek derecede bir kararlılığa sahip, kendi kendini organize eden sistemlerdir. Söz konusu kararlılık tamamen dinamik olup kesintisiz, birden fazla ve birbirine bağlı dalgalanmalarla ifade edilmiştir. Böyle bir sistemin sağlıklı olabilmesi için çevresiyle etkileşimde bulunması, çok sayıda seçme hakkına sahip ve esnek olması gerekmektedir. Bir sistemin esnekliği, hoşgörü sınırları içinde ne kadar çok değişkenin dalgalanıp durduğuna bağlıdır. Daha dinamik bir organizma grubu, esnekliğinin de artmasını gerektirir. Esnekliğin doğası ne olursa olsun, fiziksel, ruhsal, toplumsal, teknolojik ya da ekonomik o sistemlerin, çevrenin değişmelerine uyarlanma yetenekleri için esastır. Esnekliğin yitirilmesi sağlığın yitirilmesi anlamına gelir." Fritjof Capra'nın görüşlerine katılalım ya da katılmayalım, bu, esneklik ve uyumun gelecekte oldukça ilginç araştırmalara konu olacağı gerçeğini değiştirmiyor. "Anlaşıldığı kadarıyla doğanın dinamikleri hakkında öğreneceğimiz daha çok şey var." KUANTUM KURAMI ve GÜNDELİK YAŞAMA UYGULAMALARIKuantum kuramının getirmiş olduğu yeni bakış açısı klasik fizik kavramlarına ters düşen bir yaklaşım içerir. Bu yeni bakış açısı yeni bir paradigma olarak görülmelidir. Yeni paradigmalar ise ancak eski paradigmaların geçersiz veya yetersiz oldukları durumlarda ortaya çıkarlar. Eski (klasik fizik dünya görüşü) paradigmaları hangi noktalarda yetersiz kalmıştır? Bu soruyu yanıtlamak için 18 ve 19. yüzyıllarda ortaya atılan birtakım varsayımlara bakmak gerekir. Bu varsayımlar sanki birer “evrensel gerçek” veya “tartışmasız kabul edilmesi gereken ilke” oldukları inancı içinde tüm dünyada ve özellikle bilim çevrelerinde kabul görmüşlerdir. Esas itibariyle 4 adet temel varsayım vardır. 1. Nesnellik (objectivity) 2. Pozitifçilik (pozitivism) 3. Yerellik (locality) ve 4. İndirgeyicilik (reductionizm) . Nesnellik: Evrenin birbirlerinden kopuk nesnelerden oluşmuş olduğu varsayımı. Böylece nesneleri çevrelerinden yalıtıp inceleyerek özelliklerini belirlemenin mümkün olduğu inancı. Pozitiflik: Evrenin ölçülebilir olduğu varsayımı. Böylece her türlü bilimsel yaklaşımın sayılara dökülerek ifade edilebileceği inancı. Yerellik: Etkileşimlerin sadece yerel nedenlere dayalı oldukları varsayımı. Böylece uzaktan ve anında etkilerin bulunamayacağı inancı. İndirgeyicilik: Nesneleri anlamak için onları bölüp parçalamanın gerekli olduğu varsayımı. Böylece en temel yapı taşlarına ulaşılabileceği inancı. Günümüzde tüm bilimsel çabalar bu dört varsayıma dayanarak sürdürülüyor. Bu yaklaşım teknik ve teknolojinin gelişmesinde büyük yarar sağlamıştır. Bu yarara bakarak bilim çevrelerinde büyük bir özgüven gelişmiş ve bu varsayımlar tartışılmaz tabulara dönüşmüşlerdir. Oysa ki tüm çabalara rağmen ve elde edilmiş birçok başarıya rağmen bu varsayımların geçersiz olduklarını ileri süren bir fizik kuramı gelişmiş ve deneysel olarak da doğruluğu defalarca kanıtlanmıştır. Bu kuram Kuantum Kuramıdır. Bu kurama göre yukarda belirtilen 4 varsayımın her biri tartışılır hale gelmiştir. Nesnellik varsayımı Kuantum kuramında geçerli değildir. Her nesne aynı zamanda dalgasal bir yapı olduğundan artık birbirlerinden kopuk ve bağımsız nesnelerden söz edilemez. Pozitiflik varsayımı da tartışma konusudur. Kuantum kuramına göre gözleyen ve gözlenen birbirinden ayrı ve bağımsız değildir. Bu etkileşim bağımsız ölçüm yapmayı da şüpheli hale dönüştürmüştür. Mikro alemde ölçüm yaparken ölçülen nesne özellik değiştirmekte ve bu bakımdan ele geçen veriler o nesneyi tanımlamakta yetersiz kalmaktadırlar. Aynı sorunla insan-insan ilişkilerinde de karşılaşıyoruz. Yerellik varsayımı Newton fiziğinde de yoktur. Kuvvetler uzaktan ve anında etki edebilmektedirler. Daha sonra Einstein ışık hızının bir üst limit hız olduğunu iddia ederek yerellik varsayımını güçlendirmiştir. Ancak etkilerin ışık hızından daha yüksek hızlarda oluşabileceği ve bütünsel ilişkilerin bulunabileceği Kuantum kuramı tarafından ileri sürülmüş ve deneylerle kanıtlanmıştır. Bu kurama göre “Eğer bir yapı başlangıçta bir bütün oluşturmuş ise, o yapıyı parçalasanız dahi parçalar arasında etkileşim yerel olmayan bir biçimde devam eder.” Bu görüş hem nesnellik varsayımını hem de yerellik varsayımını yıkmaktadır. Böylece son varsayım olan indirgeyicilik varsayımı da yıkılmaktadır. Çünkü bir bütün istendiği kadar parçalara bölünüp indirgensin yine de parçalar arası iletişim, ışık hızından daha hızlı bir şekilde gerçekleşmeye devam etmektedir. Bu durumda artık eski varsayımlar yetersiz kalmakta olup yeni bir dünya görüşünün gerekli olduğu ortaya çıkmaktadır. Zaten günümüzde var olan dünya sorunları göz önüne alındığında yeni bir paradigmanın gerekli olduğu da kaçınılmaz olarak belirmektedir. Sorunun temelinde yatan bizim ikilemli dünya görüşümüzdür. Günümüzün modern bilimi varlığın bölünmez bütünsel bir teklik olduğunu kabul etmektedir. Her nesnenin hem parçacık hem dalga oluşu, kendi başına, her üç varsayımı sorgulamanın ilk adımını oluşturmuştur. Doğayı kesin ve determinist bir yaklaşımla anlamak mümkün değildir. Çünkü doğada kesikli değişimler ve belirsizlik içeren bir karmaşa vardır. Ancak, bu karmaşa nesnelerin ve olayların dış görünüşü ile ilgilidir. Dış görünüşte görelilik vardır. Fakat insan, bir tin beden bütünlüğü olduğuna göre sadece doğayı değil, aynı zamanda kendini ve kendi kaynağını da anlama gayreti içindedir. Kendini anlamak ise doğayı anlamaktan daha zor ve daha çetin bir uğraştır. Bu uğraşa bir ad koymak gerekirse kısaca “Farkındalık” demeyi uygun görüyorum. Farkındalık bir bakıma, kaynağa ulaşma çabasıdır. Modern bilim kuramlarının getirdiği farklı görüşlerin yerleşmesi için klasik yapının bozulması gerekir. Bu durum Fransız felsefeci Jacques Derrida’nın meşhur ettiği “Yapı bozumculuğu” kavramı ile ilgilidir. “Yapı bozumculuğu” yıkım değildir, analiz hiç değildir. Daha çok batı düşünce sisteminin klasik kavramlarını yeniden ve güncel bilimin ışığı altında yorumlamak için başvurulan bir bakıştır. Bu bakımdan hem Aristo mantığının kabullerini hem de batı felsefesinin temel varsayımlarını yeniden yapılandırmak gerekmektedir. Derrida’nın esas saldırı hedefi ikili (karşıt) kavramlardır. Kuantum kuramının yaklaşımı, Aristo mantığının ikili yaklaşımının yetersiz olduğu göstermiştir. Kuantum kuramının yeni yaklaşımında şu tercihler öncelik kazanıyor: Gözlem yerine katılım, Anlamsız yerine anlam, Bağımsız yerine bütünsel Nesne yerine enerji, Burada gözlemden vazgeçelim demiyorum. Ancak, her gözlemin belli bir ölçüde katılım içerdiğini bilmek ve bunun farkındalığı içinde olayları ve durumları anlamlandırmak gerektiğini savunuyorum. Farkındalık ancak katılım sayesinde güçlenebilir. Farkındalık arttıkça ikilemli mantığın kısıtlayıcı yapısını bozmak ve dolayısıyla yeni bir anlayışa ulaşmak mümkün olabilir. Böylece gündelik yaşam içinde bakış açımızı nesnellikten ve yerellikten kurtarıp, bütünselliğe ve tümel birliğe doğru yöneltmeyi gerçekleştirebiliriz. Olayları incelerken onları parçalara ayırıp indirgemek yerine onları en geniş açıdan değerlendirerek tümel bir bakış açısı ile bütünsel olarak incelemeyi başarabilmeliyiz. Ayrıca, her olayı veya olguyu sayısal olarak ifade etmeye çalışmak yerine, sezgi içeren bakış açılarını küçümsemeden düşünce yapımızı genişletmeye gayret etmeliyiz. Doç. Dr. Haluk Berkmen
01 maart Bridging the study of culture and religion: Pierre Bourdieu's political economy of symbolic powerDavid Swartz This essay examines key features of Pierre Bourdieu's sociology of culture in light of their potential contribution to the sociology of religion. Bourdieu himself has devoted little attention to the study of religion.(1) Yet, significant features of his approach to the study of culture find inspiration in the materialism of Karl Marx and particularly in Max Weber's sociology of religion. BOURDIEU'S POLITICAL ECONOMY OF SYMBOLIC POWER Bourdieu proposes a sociology of symbolic power in which he addresses the important topic of relations between culture, stratification, and power. He contends that the struggle for social recognition is a fundamental dimension of all social life. In that struggle, cultural resources, processes, and institutions hold individuals and groups in competitive and self-perpetuating hierarchies of domination. He advances the bold claim that all cultural symbols and practices, ranging from artistic tastes, style in dress, and eating habits to religion, science, and philosophy - indeed to language itself - embody interests and function to enhance social distinctions. Bourdieu focuses on how these social struggles are refracted through symbolic classifications, how cultural practices place individuals and groups into competitive class and status hierarchies, how relatively autonomous fields of conflict interlock individuals and groups in struggle over valued resources, how actors struggle and pursue strategies to achieve their interests within such fields, and how in doing so actors unwittingly reproduce the social stratification order. Culture, then, is not devoid of political content but rather is an expression of it. In his approach to culture, Bourdieu develops a political economy of symbolic practices that includes a theory of symbolic interests, a theory of cultural capital, and a theory of symbolic power. These are not tidy, well-delimited theoretical arguments but orienting themes that overlap and interpenetrate. They draw from a wide variety of intellectual influences including Marxism, structuralism, and phenomonology. But as Brubaker (1985) points out, Max Weber is the most importance influence from the classical sociological tradition on Bourdieu's work. It is impossible to probe the full complexity of these theories or to cover the full range of Bourdieu's conceptual innovations in this short essay.(2) Nonetheless, it is possible to show how Bourdieu draws from Marx and from Weber's sociology of religion to develop a sociology of cultural practices. TRANSCENDING IDEALISM AND MATERIALISM At the core of Bourdieu's intellectual project for over thirty years stands the central question in Western social thought since Marx: the debate between cultural idealism and historical materialism. Bourdieu's sociology represents a bold attempt to find a middle road that transcends the classic idealism/materialism bipolarity by proposing a materialist yet non-reductive account of cultural life. His thinking begins with Marx but draws more substantively from Weber.(3) Marx Like Marx, Bourdieu emphasizes the primacy of conflict and class-based social inequality in modern societies. Yet, he is sharply critical of class reductionist accounts of religious and cultural life. Bourdieu is a materialist in the sense that he roots human consciousness in practical social life. He is also concerned with forms of false consciousness or, in his terms, "mis-recognition" of power relations. He accepts the Marxian idea that symbolic systems fulfill social functions of domination and reproduction of class inequality. Yet he is critical of the view of ideology that focuses largely on the social functions of symbolic goods and practices without showing how they are necessary features for the enactment of social practices. While Bourdieu accepts the Marxist claim that religion is ideology, he resists separating out the symbolic dimension of social life as separate and derivative of the more fundamental material components of social life. In short, he rejects the Marxist infrastructure/superstructure conceptual distinction as rooted in the classic idealism/materialism dichotomy that Bourdieu believes must be transcended. Here Bourdieu parts company with the structuralist Marxism of Louis Althusser (1970), which was one of Bourdieu's important intellectual references in the 1960s and 1970s. Bourdieu shares Althusser's basic materialist outlook and his emphasis on the relative autonomy of religion and culture from politics and economics. Still, Bourdieu's position is not fundamentally Althusserian. Inspired by Marx's first thesis on Feuerbach, which emphasizes the underlying unity of all social life as practical activity, Bourdieu (1984a:467) rejects the idea that social existence can be segmented and hierarchically organized into distinct spheres, such as the social, the cultural, and the economic. Rather than explore the various forms of articulation of the superstructure and infrastructure as Althusserians do, Bourdieu argues that the two realms are not to be separated in the first place. Bourdieu seeks to write a general science of practices that combines the material and symbolic dimensions and thereby emphasizes the fundamental unity of social life. Nonetheless, Bourdieu's central concern with the problem of relations between the symbolic and material aspects of social life and between structure and agency stem in part from his early confrontations with this particular Marxist tradition. Weber From Marx, Bourdieu turns to Max Weber for the conceptual tools to elaborate a theory of symbolic goods and practices that would transcend both class reductionism and idealism. Bourdieu remarks that it is Max Weber "who, far from opposing Marx, as is generally thought, with a spiritualist theory of history, in fact carries the materialist mode of thought into areas which Marxist materialism effectively abandons to spiritualism" (1990b:17). Bourdieu sees Weber offering a "political economy of religion" that brings "out the full potential of the materialist analysis of religion without destroying the properly symbolic character of the phenomenon" (1990a:36). One central objective of Bourdieu's sociology is to elaborate Weber's model for a political economy of religion to all of cultural and social life. Indeed, Bourdieu sees his sociology of culture to be of the same character as that of Weber who used "the economic model to extend materialist critique into the realm of religion" (1990a:107). It is to be a "generalized" or "radical" materialism, but one that avoids the class reductionism that Bourdieu (1990b:17; 1993:12) believes characterizes Marxism. Bourdieu believes he has found in this generalized materialism a way to transcend the classic idealism/materialism dichotomy in the social sciences. SYMBOLIC INTERESTS Bourdieu's work represents an important elaboration of Max Weber's notion of ideal goods and interests (Gerth and Mills 1970:280). The idea of "religious interest" comes from Weber's emphasis on the "this-worldly" character of behavior motivated by religious belief. Weber writes that "the most elementar0y forms of behavior motivated by religious or magical factors are oriented to this world" (1978:399). He goes on to stress that "religious or magical behavior or thinking must not be set apart from the range of everyday purposive conduct, particularly since even the ends of the religious and magical actions are predominantly economic" (Weber 1978:400). Bourdieu argues that by insisting on the "this-worldly" character of behavior motivated by religious factors Weber provides a "way of linking the contents of mythical discourse (and even its syntax) to the religious interests of those who produce it, diffuse it, and receive it" (1990b:4). Thus, Weber provides a means for connecting religious beliefs and practices to the interests of those who produce and administer them. Bourdieu (1987c:122), however, considers Weber's notion of "religious interest" to be "only weakly elaborated" since it limits the scope of interest to be "determined by the agents' conditions of existence." By contrast, Bourdieu stresses that religious interests - and symbolic interests more generally - "are also determined in their form and their conditions of expression by the supply of religion and the action of the religious professionals." Nonetheless, Weber's thinking permits one to construct the system of religious beliefs and practices as the . . . transfigured expression of the strategies of different categories of specialists competing for monopoly over the administration of the goods of salvation and of the different classes interested in their services (Bourdieu 1991a:4). Bourdieu extends the idea of interest to include non-material goods by arguing that all practices are fundamentally "interested" whether directed toward material or symbolic items. He extends the logic of economic calculation to "all goods, material and symbolic, without distinction, that present themselves as rare and worthy of being sought after in a particular social formation" (1977: 178). Bourdieu wants to construct "a general theory of the economy of practices" that will analyze "all practices" as "aimed at maximizing material or symbolic profit" (1990b:209). The research program he proposes would unite what has traditionally been thought of as economic (i.e., interested and material) and non-economic (i.e., disinterested and symbolic) forms of action and objects. Thus, symbolic interest and material interest are viewed as two equally objective forms of interest. Actors pursue symbolic as well as material interests and exchange one for the other under specified conditions. While extending the idea of interest from material to ideal goods, Weber nonetheless retains analytical distinctions for different types of behavior. Weber (1978:24-25,339) analytically distinguishes the following types of action: "instrumentally rational," "value-rational," "affectional," and "traditional." Weber does not consider every instrumental action as economic. To be economic, action must satisfy a need that depends upon relatively scarce resources and a limited number of actions. Such distinctions disappear altogether in Bourdieu's work. Moreover, the idea that action is interest-oriented is for Bourdieu a fundamental presupposition not a hypothesis for testing. And he does not consider whether some practices might be more self-interested than others. Despite the economic language, Bourdieu sees his generalized materialism as quite distinct from economism since his perspective views material utilitarianism as but one form of the more generalized pursuit of interest. Thus he claims to be writing a "general science of the economy of practices" of which the "science of economic practices is but a particular case" of the more general program (Bourdieu 1977:183). He sharply distinguishes his own economy of practices from rational actor theory. The interest-orientation of practices for Bourdieu does not imply a formal or conscious calculation of costs and benefits. Rather, practices occur for the most part at a tacit, dispositional, and pre-reflective level that reflects past accumulation through early socialization of various advantages and disadvantages associated with social class background. He sharply contrasts his view of action as dispositional with the two radically opposing views that depict action as flowing either from rational calculation or from structural determination.(4) CULTURAL CAPITAL The extension of Weber's idea of religious interest permits Bourdieu to develop concepts such as "religious capital" and "cultural capital" as irreducible forms of power though interchangeable with economic capital. Bourdieu conceptualizes resources as capital when they function as a "social relation of power" (1989:375) by becoming objects of struggle as valued resources. Bourdieu's concept of "religious capital" (1991a:9) is close to Weber's idea of religious "qualification." It represents "accumulated symbolic labor" and is connected to the "constitution of a religious field" where a group of religious specialists is able to monopolize the administration of religious goods and services. Religious capital is a power resource since it implies a form of "objective dispossession" through constituting a "laity" who by definition are those without, yet want, the valued resource controlled by specialists. Bourdieu's concept of cultural capital covers a wide variety of resources, such as verbal facility, general cultural awareness, aesthetic preferences, scientific knowledge, and educational credentials. His point is to suggest that culture (in the broadest sense of the term) can become a power resource. Bourdieu thus builds a case for the irreducible character of cultural representations as forms of power by extending the logic of self-interest to the non-material sphere where he identifies prestige, honor, knowledge, and educational credentials as forms of capital. According to Bourdieu, actors pursue investment strategies in cultural goods just as they do with economic goods. Individuals, families, and groups can accumulate cultural as well as economic items. Moreover, privilege and prestige can be transmitted intergenerationally through forms of cultural capital. Families who invest in the higher education of their children pursue a cultural form of investment in order to maintain or enhance the material conditions of their offspring. Thus Bourdieu finds it useful to think of valued non-material resources as forms of capital to the extent they can be accumulated, exchanged, and invested for profits. An important task for sociology, Bourdieu argues, is to explore the production, circulation, and consumption of the various forms of cultural and economic capital. Under what conditions and at what rates do these distinct forms of capital become mutually convertible forms of power? Bourdieu's concept of cultural capital needs to be distinguished from Gary Becker's (1976) concept of "human capital." Unlike human capital theorists, Bourdieu focuses on the class-based variation both in the meanings and uses of the various types of capital. Moreover, Bourdieu's theory of human action as suggested by his concept of habitus does not share the anthropological assumptions of a rational actor perspective. Bourdieu's actors pursue strategies but not as conscious maximizers of limited means to achieve desired ends. Their "choices" are tacit, practical, and dispositional, reflecting the encounter between their accumulated capital and corresponding dispositions from past socialization and the present opportunities and constraints of fields where they act. Bourdieu's concepts of symbolic interest and capital also need to be distinguished from Ann Swidler's (1986) "tool kit" view of cultural practices. Though similar in stressing agency and the practical features of culture rather than norms and values, Bourdieu is less voluntaristic than Swidler; he stresses the group embeddedness of individual action. Moreover, Bourdieu stresses more than Swidler the power dimension of cultural resources, their capacity to constitute social hierarchies. SYMBOLIC POWER Bourdieu draws from Max Weber's notions of charisma and legitimacy to develop a theory of symbolic power.(5) This theory stresses the active role played by taken-for-granted assumptions in the constitution and maintenance of power relations. Like Weber, Bourdieu contends that the exercise of power requires legitimation. Bourdieu argues that the logic of self-interest underlying all practices - particularly those in the cultural domain - goes "mis-recognized" as a logic of "disinterest." "Misrecognition" is a important concept for Bourdieu; akin to the idea of "false consciousness" in the Marxist tradition, misrecognition denotes "denial" of the economic and political interests present in a set of practices. Symbolic practices, Bourdieu thus argues, deflect attention from the interested character of practices and thereby contribute to their enactment as disinterested pursuits. Activities and resources gain in symbolic power, or legitimacy, to the extent that they become separated from underlying material interests and hence go misrecognized as representing disinterested forms of activities and resources. Individuals and groups who are able to benefit from the transformation of self-interest into disinterest obtain what Bourdieu calls a "symbolic capital" (see 1972:227-243, 1977:171-83, 1990b:112-21, 1991b:163-170). Symbolic capital is "denied capital;"(6) it disguises the underlying "interested" relations to which it is related, giving them legitimation. Symbolic capital is a form of power that is not perceived as power but as legitimate demands for recognition, deference, obedience, or the services of others. Symbolic Labor For Bourdieu, the focus by Weber on religious producers provides the key for understanding how relations of interest become transformed into disinterested relations to create symbolic capital. It is the "symbolic labor" by specialists that transforms relations of power into forms of disinterested honorability (Bourdieu 1977:171). Bourdieu (1987c:122-124, 1991a:5-13) highlights as particularly insightful Weber's (1978:1177-1181) analysis of the "ethicalization" and "systematization" of religious needs of the rising urban bourgeoisie as the product of religious labor by specialists. Religious labor by specialists creates religious understandings of the particular social conditions of existence of specific groups. Symbolic labor produces symbolic power by transforming relations of interest into disinterested meanings. Bourdieu therefore assigns an important role to symbolic producers (e.g., artists, writers, teachers, journalists, and clergy) in legitimating the social order by producing symbolic capital through symbolic labor. This of course is the role Marx assigned to ideology, but by stressing symbolic labor Bourdieu wishes to emphasize that ideology is not a given but requires active construction. Moreover, Bourdieu contends that most everyday practices would not be possible without misrecognition of their objective interests. The exchange of gifts, for example, would be transformed into a financial transaction if there were not some degree of misrecognition of their objective interests. Thus symbolic power appears as an inseparable dimension of practices. Though Bourdieu employs a language of economics; his emphasis on the necessity for symbolic power in practices distinguishes his position from a thoroughly utilitarian perspective. FIELDS OF CULTURAL PRODUCTION If cultural, symbolic, and economic capital are distinct though mutually convertible forms of power, they nonetheless follow distinct modes of accumulation and operation. As forms of cultural production develop, they generate arenas of struggle by specialists for the monopoly over their administration. To account for this dimension of his political economy of symbolic power in modern differentiated societies, Bourdieu develops the concept of "field" (champ). Fields designate arenas where specific forms of capital are produced, invested, exchanged, and accumulated. The concept of field emerges from the conjuncture in the late 1960s between Bourdieu's research in the sociology of art and his reading of Weber's sociology of religion (Bourdieu 1987a:33).(7) The concept is inspired by Weber's discussion of the relations between priest, prophet, and sorcerer (Bourdieu 1990a:49).(8) Weber identifies the specific and opposing interests of these principal types of religious leadership and the structures of the "competition which opposes them to one another" (Bourdieu 1990a:107). Bourdieu (1987c; 1992:260) proposes a structuralist reinterpretation of Weber's analysis by stressing how the interactions between the types of religious leadership are structured by their opposing interests and how these interests are in turn related to broader power structures. Bourdieu (1987c:121) considers Weber's analysis restricted to an "interactionist" perspective focused on inter-personal or inter-subjective relations among actors. A field perspective, however, introduces a broader perspective of structural conditions that shape the interactions of actors though they are not aware of them. Bourdieu (1971b, 1971a, 1985, 1992:260) first applied the concept to French artists and intellectuals as a means to call attention to the specific interests governing those cultural worlds. Field has become a key spatial metaphor in Bourdieu's sociology of culture. Bourdieu defines a field as a network, or configuration, of objective relations between positions. These positions are objectively defined . . . by their present and potential situation . . . in the structure of the distribution of species of power (or capital) whose possession commands access to the specific profits that are at stake in the field (1992:97). Fields may be thought of as structured spaces that are organized around specific types of capital.(9) Fields denote arenas of production, circulation, and appropriation of goods, services, knowledge, or status, and the competitive positions held by actors in their struggle to accumulate and monopolize different kinds of capital. For example, Bourdieu speaks of the "intellectual field" to designate that matrix of institutions, organizations, and markets in which artists and writers compete for the symbolic capital of legitimate recognition for their artistic and literary work. Field is a more inclusive concept than market; as a spatial metaphor it suggests rank and hierarchy as well as exchange relations between buyers and sellers. Indeed, Bourdieu's concept of field should not be reduced to the neo-classic idea of market. Rather, the concept suggests a force-field where the distribution of capital reflects a hierarchical set of power relations among the competing individuals, groups, and organizations. Interactions among actors within fields are shaped by their relative location in the hierarchy of positions. Bourdieu has applied this concept in studies of social class lifestyles, higher education institutions, science, culture, law, and religion. Bourdieu (1985) uses field analysis to offer a cultural-structural interpretation of the rise of cultural markets and the modern intelligentsia. Field analysis posits a parallel process: As corps of cultural producers emerge, specialized and institutionalized cultural arenas of production, circulation, and consumption of symbolic goods also emerge with increasing autonomy from the economy and the polity. Bourdieu's basic research hypothesis in field analysis is that as cultural fields gain in autonomy from external factors, the intellectual stances assumed by the agents increasingly become a function of the positions occupied by the agents within these fields. Thus, in contrast to Marxist class analysis, Bourdieu sees fields as mediating relations between social structures and cultural life. Structural Properties of Fields Bourdieu (1993:72) speaks of the "invariant laws" or "universal mechanisms" that are structural properties characteristic of all fields. First, fields are arenas of struggle for control over valued resources, or forms of capital. Field struggle centers around particular forms of capital, such as economic capital, cultural capital, scientific capital, or religious capital. Cultural capital, for example, is the key property in the intellectual field whereas economic capital is the important property in the business world. There are as many fields as there are capitals. Actors also struggle over the very definitions of what are to be considered the most valued resources in fields. This is particularly true in cultural fields where style and knowledge rapidly change. In other words, fields are arenas of struggle for legitimation: in Bourdieu's language, for the right to monopolize the exercise of "symbolic violence." Second, fields are structured spaces of dominant and subordinate positions based on types and amounts of capital. Field struggle pits those in subordinate positions against those in superordinate positions. The struggle for position in fields opposes those who are able to exercise some degree of monopoly power over the definition and distribution of capital against those who attempt to usurp those advantages. In general, Bourdieu sees this opposition occurring between the established agents and the new arrivals in fields. Drawing from Weber's description of the opposition between priests and prophets, Bourdieu depicts this conflict in terms of those who defend orthodoxy against those who advocate heresy. For Bourdieu (1992:289), this fundamental structure of conflict is paradigmatic not only in the religious field but in all cultural fields. The orthodox/heterodox opposition is a struggle for the monopoly of cultural legitimacy and the right to withhold and confer this consecration in the name of fundamentally opposed principles: the personal authority called for by the creator and the institutional authority favoured by the teacher (1971b:178). Bourdieu sees an analogous opposition in intellectual fields, particularly in academe, between the "curators of culture" and the "creators of culture," between those who reproduce and transmit legitimate bodies of knowledge and those who invent new forms of knowledge. In his study of the Parisian university faculty, Bourdieu (1988) finds this fundamental opposition between teachers and researchers, between professors and independent intellectuals. In the field of religion, an analogous opposition might be found between denominational administrators and clergy, on the one hand, and sociologists of religion and theologians, on the other hand. Crucial for Bourdieu in his field analysis is that the two opposing strategies ate dialectically related; one generates the other. Orthodoxies call into existence their heterodox reversals by the logic of distinction that operates in cultural fields.(10) Challengers oblige the old guard to mount a defense of its privileges; that defense, then, becomes grounds for subversion. Third, fields impose on actors specific forms of struggle. Entry into a field requires a tacit acceptance of the rules of the game, meaning that specific forms of struggle are legitimated whereas others are excluded. Both the dominant establishment and the subordinate challengers share a tacit acceptance that the field of struggle is worth pursuing in the first place. Bourdieu refers to this deep structure of fields as the Doxa for it represents a tacit, fundamental agreement on the stakes of struggle between those advocating heterodoxy and those holding to orthodoxy.(11) Challengers and incumbents share a common interest in preserving the field itself even if they are sharply divided on how it is to be controlled.(12) In the sociology of religion, for example, contemporary debates occur over the trends and significance of religious life; all assume - including the proponents of secularization - that religion is worth talking about in the first place. Fourth, fields are structured to a significant extent by their own internal mechanisms of development and thus hold some degree of autonomy from the external environment. The "relative autonomy" of the educational system, for example, as of most institutionalized religions, refers to its capacity to control the recruitment, socialization, and careers of actors, and to impose its own specific ideology. More generally, Bourdieu points to the relative autonomy of cultural fields from economic and political fields. A scholarly discipline such as the sociology of religion, for example, will reflect to some extent broader intellectual trends. But it also has its own particular history and structure that new arrivals need to appropriate in order to gain recognition as members of the field. Field analysis, therefore, directs the researcher's attention to a level of analysis capable of revealing the integrating logic of competition between opposing viewpoints. It encourages the researcher to seek out sources of conflict in a given domain, relate that conflict to the broader areas of class and power, and identify underlying shared assumptions by opposing parties. Field analysis directs attention to the task of identifying the principal poles of opposition and their underlying shared assumptions in a particular domain. Finally, a fundamental methodological principle flows from the posited relative autonomy of fields; namely, priority is given to the internal analysis of fields. Bourdieu argues that external influences are always "retranslated" into the internal logic of fields. External sources of influence are always mediated through the structure and dynamic of fields. The class background of the artist, for example, does not influence the work of art directly. Rather, the effects of class intersect with the patterns of field hierarchy and conflict where the artist is situated (Bourdieu 1984b:6). Structural Homologies Bourdieu conceptualizes the relations among relatively autonomous fields in terms of "structural and functional homologies," which he defines as "a resemblance within a difference" (Bourdieu and Wacquant 1992:105-106). Fields become homologous to the extent that they develop isomorphic properties such as positions of dominance and subordination, strategies of exclusion and usurpation, and mechanisms of reproduction and change. In his early work on French education, Bourdieu (Bourdieu and Passeron 1977:63-64, 194-200) stresses the "structural and functional" homology between French education and the medieval Catholic Church: schools, like the Church, not only transmit knowledge and skills but also reproduce themselves by monopolizing the selection and training of their own leadership. Moreover, like the Church, schools also reproduce social class relations by legitimating the unequal distribution of cultural capital. Field analysis for Bourdieu differs from a market approach to culture. Though Bourdieu superficially resembles a growing number of social scientists who use economic imagery in their analytical language (Warner 1993:1051), he does not work within a rational choice framework. Field analysis does not analyze the economics of culture in terms of a direct effect of demand on supply or of supply on demand. For Bourdieu, cultural tastes are not simply imposed by cultural producers on unwitting consumers; nor do cultural tastes stem from cultural producers attempting to respond directly to patterns of consumer demand. Field analysis posits that the relation between supply and demand, between cultural producers and their public, and more generally, between the field of cultural production and the field of social classes, is mediated by field structures and struggles. Thus, patterns and changes in cultural production are to be analyzed in terms of the competitive struggle among cultural producers in which newcomers challenge established groups for the right to define what are to be legitimate cultural forms. Producers struggle within the field of cultural production and their cultural products reflect more their respective positions of dominance or subordination than they do the demands of consumers. Consumers, in turn, select from these products according to their own positions of dominance or subordination within the struggle for distinction among the social classes. Consumers in subordinate positions tend to select products produced by producers in subordinate positions within the field of cultural production. Thus a relation of "structural homology" rather than one of conscious adjustment is established between the various categories of cultural producers and the various categories of consumers according to their respective positions in the separate fields of struggle. Bourdieu writes: The logic of objective competition at the core of the field of cultural production leads each of the categories of producers to offer, without any conscious search for adjustment, products that are adjusted to the preferences of the consumers who occupy homologous positions within the field of power (1984b:14). DISCUSSION Bourdieu brings a conflict perspective to the study of religion. He stresses the power dimension in religious life and organization. No less than other arenas of cultural and social conflict, religion is a resource of power over which some individuals, groups, and organizations feel it is important to struggle. The struggle for the right to impose the legitimate definition of religion is in the final analysis a political function. "Religious power" or "religious capital," Bourdieu writes, depends on the material and symbolic force of the groups and classes the claimants can mobilize by offering them goods and services that satisfy their religious interests (1991a:22).(13) Moreover, the struggle for legitimation within the religious field tends to reproduce the relations of domination within the established order (1991a:31-32). How might one employ Bourdieu's perspective to study a religious field in North America? Since fields are defined first and foremost as arenas of struggle over the definition and distribution of specific forms of capital, the first task would be to identify relevant points of conflict. Forms of religious interest and capital are involved in a great variety of contemporary issues: theological doctrine, constitutional rights, tax exemption, abortion, school prayer, and teaching and research in universities. For some, religion is important in these issues and for others religion is irrelevant. Who participates in these struggles and what kinds of symbolic as well as material interests guide them? These questions suggest different types of struggle, different levels of analysis, and different fields. They also bring into consideration a wide variety of organizations, groups, individuals, and institutions. Foundations, universities, TV and radio stations, and political action committees as well as congregations and denominations might be considered. A field perspective would suggest that issues of doctrine, organizational structure, legal status, or intellectual respectability are matters of struggle for legitimation that involve a broad array of individuals, groups, and organizations who pursue different kinds of symbolic as well as material interests. One fruitful area for field analysis would be the religious media. If one of the main points of field analysis is to suggest that patterns of production of religious goods and services reflect more strategies of product differentiation among producers rather than the direct effects of consumer demand, then one way of testing that hypothesis would be to study an assortment of religious publications to see to what extent their editorial policies attempt to correspond to reader demand or reflect competitive referencing and differentiation with other publications. Finally, a popular form of study that Bourdieu's field framework would not encourage would be the case study of congregations, denominations, or religious leaders. The field analytic perspective calls for situating particular entities, whether denominations or congregations, within a broader framework of struggle over the significance of religion. Local characteristics, Bourdieu contends, cannot be fully understood sociologically without situating them within this broader perspective. On the other hand, Bourdieu's field concept presupposes a strong clergy/lay opposition and is perhaps less useful where such an opposition does not have that formal character. The concept of religious field does not grasp the "religious dimension" of social phenomena in other social areas such as sports or politics where it is has very little connection to the historically constituted religious traditions (Hervieu-Leger 1993). In conclusion, the growing interest in relating the sociology of culture and the sociology of religion will find inspiration in the example set by Pierre Bourdieu. Drawing in part from Weber's sociology of religion, Bourdieu offers an original approach to the study of culture, one that can be applied to religion as well. This approach gives a strong sense of agency but within a structured framework of particular interests that mediate broader effects of social class. Just as students of culture are increasingly looking to Bourdieu for insights for studying the complex relation between culture and power, so also can students of religion find similar inspiration. Earlier versions of this paper were presented at the Annual Meeting of the Association for the Sociology of Religion, Miami Beach, August 1993 and at the New England Religious Discussion Society, Hartford, CT, April 1995. I want to give special thanks to Rhys Williams for helpful suggestions on all the drafts of this paper and also to an anonymous reviewer for helpful comments on earlier version. Direct correspondence to David Swartz, 10 Magnolia Ave., Newton, MA 02158. E-mail: swarzt@harvarda.harvard.edu. 1 Bourdieu (and Martin 1982) has published one empirical investigation of religion, a study of French Catholic Bishops, and written two theoretical articles in the sociology of religion (Bourdieu 1987c, 1991a). In addition, Bourdieu (1987b, 1987d) has published two public lectures devoted to the sociology of religion. The November 1982 issue of his journal, Acres de la Recherche en Sciences Sociales, was devoted to various aspects of French Catholicism. While Bourdieu dominates the sociology of culture in France, he has had little impact on the post-World War II generation of French sociologists of religion (Dobbelaere 1987). Nonetheless, one can see growing signs of his influence on the post-sixties generation of French sociology of religion scholarship (Hervieu-Leger 1993). Bourdieu's influence in the sociology of religion has been more striking outside of France (e.g. Maduro 1982). 2 See Bourdieu and Wacquant (1992) for a good comprehensive introduction to Bourdieu's work. 3 There are Durkheimian influences as well though they will not be explored in this paper. 4 This is the view of action suggested by Bourdieu's concept of "habitus." 5 The argument is laid out in Bourdieu (1971b, 1980, 1991a, 1991b: 163-170; and Passeron 1977: 171-183). 6 Bourdieu writes: Symbolic capital, a transformed and thereby disguised form of physical economic capital, produces its proper effect inasmuch . . . as it conceals the fact that it originates in "material" forms of capital which are also, in the last analysis, the source of its effects (1977:183). 7 In developing the concept Bourdieu (1987c) draws primarily from Chapters VI and XV of Economy and Society. 8 It also parallels Weber's idea of "life-orders," which inspires Gerth and Mills's (1964) conceptualization of "institutional orders." 9 Field means a "certain structure of the distribution of a certain kind of capital" (Bourdieu 1993:91). 10 This symbolic relationship between orthodox and heterodox views brings to mind Mannheim's (1955) analysis of how ideological and utopian visions of the social world, though radically opposed in their posture toward the status quo, nonetheless become locked into a pattern of complex exchange of critiques, each to an appreciable extent determining the other. Williams and Demerath (1991) identify a similar dynamic in their study of religion and politics. They show how logically incompatible themes of civil religion and separation of church and state can coexist and actually "enable" each other in political practice. 11 The idea of the Doxa resonates with Durkheim's concept of the "collective consciousness." A crucial difference is that Doxa is field-specific rather than representing a system of tacit understandings for the entire society. 12 Like opposing players in a card game, both share a common interest in the game though both compete to win over their opponents. Bourdieu (and Wacquant 1992:98-99) sometimes draws upon the analogy of the card game to illustrate these properties of fields. At other times he stresses that knowledge of the rules themselves represents a form of cultural capital that is unequally shared among contestants. 13 While not working within Bourdieu's framework, Demerath (1991) and Williams and Demerath (1991) have recently employed the terms "cultural power," "cultural resources," and "religious capital" in ways similar to Bourdieu. Speaking in the American context where religion resonates more as a form of authority in national culture than in France, Williams and Demerath (1991) are even more concerned than is Bourdieu with the effects that religion can have on political mobilization. They show how religious and moral argument can on occasions be successfully employed by religious leaders to redefine public economic issues into ethical and moral concerns. REFERENCES Althusser, L. 1970. For Marx. New York: Vintage Books. Becker, G. 1976. The economic approach to human behavior. Chicago: The University of Chicago Press. Bourdieu, P. 1971a. Champ du pouvoir, champ intellectuel et habitus de classe. Scolies 1: 7-26. -----. 1971b. Intellectual field and creative project. In Knowledge and control: New directions for the sociology of education, edited by M.F.D. Young, 161-188. London: Collier-Macmillan. -----. 1972. Esquisse d'une theorie de la pratique. Precedee de trois etudes d'ethnologie kabyle. Geneva: Droz. -----. 1977. Outline of a theory of practice. Cambridge: Cambridge University Press. -----. 1980. The production of belief: Contribution to an economy of symbolic goods. Media, Culture, and Society 2: 261-293. -----. 1984a. Distinction: A social critique of the judgement of taste. Cambridge: Harvard University Press. -----. 1984b. Le champ litteraire: Prealables critiques et principes de methode. Lendemains 36: 5-20. -----. 1985. The market of symbolic goods. Poetics 14(April): 13-44. -----. 1987a. Choses dites. Paris: Les Edition de Minuit. -----. 1987b. La dissolution du religieux. Choses dites. Paris: Les Editions de Minuit. -----. 1987c. Legitimation and structured interests in Weber's sociology of religion. In Max Weber, rationality and irrationality, edited by S. Lash and S. Whimster, 119-136. Boston: Allen & Unwin. -----. 1987d. Sociologues de la croyance et croyances de sociologues. Choses dites. Paris: Les Editions de Minuit. -----. 1988. Homo academicus. Stanford, CA: Stanford University Press. -----. 1989. La noblesse d'etat. Grandes ecoles et esprit de corps. Paris: Les Edition de Minuit. -----. 1990a. In other words: Essays toward a reflexive sociology. Stanford, CA: Stanford University Press. -----. 1990b. The logic of practice. Stanford, CA: Stanford University Press. -----. 1991a. Genesis and structure of the religious field. Comparative Social Research 13: 1-43. -----. 1991b. Language and symbolic power. Cambridge: Harvard University Press. -----. 1992. Les regles de l'art: Genese et structure du champ litteraire. Paris: Editions du Seuil. -----. 1993. Sociology in question. London: Sage Publications. Bourdieu, P., and M. de S. Martin 1982. La sainte famille. L'episcopat francais dans le champ du pouvoir. Actes de la recherche en sciences sociales 44/45: 2-53. Bourdieu, P., and J.-C. Passeron 1977. Reproduction in education, society, and culture. London: Sage. Bourdieu, P., and L. J. D. Wacquant 1992. An invitation to reflexive sociology. Chicago: The University of Chicago Press. Brubaker, R. 1985. Rethinking classical sociology: The sociological vision of Pierre Bourdieu. Theory and Society 14: 745-775. Demerath, N. J. III. 1991. Religious capital and capital religions: Cross-cultural and non-legal factors in the separation of church and state. Daedalus 120: 21-40. Dobbelaere, K. 1987. Some trends in European sociology of religion: The secularization debate. Sociological Analysis 48: 107-137. Gerth, H. H., and C. W. Mills. 1964. Character and social structure. New York: Harcourt Brace Jovanovich. -----. 1970. From Max Weber: Essays in sociology. London: Routledge & Kegan Paul. Hervieu-Leger, D. 1993. La religion pour memoire. Paris: Les Editions du Cerf. Maduro, O. 1982. Religion and social conflicts. Maryknoll, NY: Orbis Books. Mannheim, K. 1955. Ideology and utopia: An introduction to the sociology of knowledge. New York: Harcourt, Brace & World. Swidler, A. 1986. Culture in action: Symbols and strategies. American Sociological Review 51: 273-286. Warner, R. S. 1993. Work in progress toward a new paradigm for the sociological study of religion in the United States. American Journal of Sociology 98: 1044-1093. Weber, M. 1978. Economy and society. Berkeley: University of California Press. Williams, R. H., and N. J. Demerath III. 1991. Religion and political process in an American city. American Sociological Review 56: 417-431. COPYRIGHT 1996 Association for the Sociology of Religion
http://findarticles.com/p/articles/mi_m0SOR/is_n1_v57/ai_18262392/print 24 februari BORN AGAIN IDEOLOGYBORN AGAIN IDEOLOGY
Religion, Technology, and Terrorism
Arthur KrokerCTheory Books: Born Again Ideology: bai07
Table of Contents
The New Protestant Ethic • Inauguration Day Blues & the Messianic Rapture of End Times • Redemptive Violence and Panic Insecurity • Rapture and the American Mind • Vampire Puritans 2. Twisted Strands: Covenant Technology and the American Mind The (American) Spirit of Technological Innovation • Competing World (Techno) Philosophies: Software, Wetware and Hardware • Covenant Technology • America as a Shining Body Upon a Hill • The Double Helix • The American Republic of Bio-Power • Catastrophe and Rapture • Three Twisted Strands • USA: An Open, Closed or Flat Universe? • The New Puritans: Twisted Strands Take Root on American Soil • The Double Helix as American Identity Strategies of Bodily Purification • The Biometric Subject • Slipping into the Bloodstream of the Body Politic • The State of Suspicion • The Seduction of Terrorism • Tactics of Stereotypy, Scapegoating and Ressentiment • Cold Security • Ideology, Terrorism & the Body • Globalizing the Biometric State • Bodies & Torture • Domesticating the Biometric State • The Rings of Saturn • When Technology Crashed to Earth 4. The End of the New American Century The Quantum Dividend • Second-Order Globalization • Art of Warfare 5. The Cosmological Compromise The Flat World of Technology Has Just Been Thrown a Religious Curve • Faith-Based IT • The Double Cone Theory of the Propagation of (Political) Light
22 februari KARTEZYEN DUALİZMİN ELEŞTİRİSİ: RIZOMATİK ALAN VE/VEYA ‘ÜÇÜNCÜ ALAN’ …… ‘Üçüncü’ sorunsalı, felsefe ve kültürel çalışmalar gibi alanlarda sıkça üzerinde durulan bir konudur. Sözgelimi Fransız filozof Emmanuel Levinas (1906-1995), birey ile ‘öteki’ arasındaki ilişkiyi düzenlediğine inandığı‘üçüncü’ tarafı aramıştır daima. Bireyin ‘öteki’ ile ilişkisinde ‘öteki’nin kapsadığı alanı gasp edercesine, bireyin kendi kimliğini şiddet yüklü bir şekilde ‘öteki’ üzerinden inşa etmesini eleştiren Levinas, bu türde bir ontolojik emperyalizm yerine etik bir konumlanma önerir: ‘Öteki’ne saygı (Levinas, 1986, 1987, 1998; Kaya, 2001). Birey ile ‘öteki’ arasında saygıya dayalı bir eşitlerin ilişkisi kurulduğunda ‘üçüncü’ kendini gösterecektir. Ona göre bu görünmeyen ‘üçüncü’ taraf adalet, ahlâk veya tanrı gibi soyut ve tam nüfuz edilemeyecek bir tasarım olabilir (Levinas, 1998, Kaya, 2001). “Üçüncü”, tarafsızdır ve eşitliğin savunucusu bir konumdadır. Öte yandan Homi Bhabha (1994), Stuart Hall (1991), Paul Gilroy (1987), Mike Featherstone .(1990), Felix Guattari (1989) ve Gilles Deleuze (1988) gibi diğer bazı yazarlar da söz konusu geleneksel Kartezyen ikili düşünceyi olumsuzlayan ve eleştiren bir konumlanma ile ‘üçüncü alan’ veya ‘üçüncü kültür’ dedikleri, çatışmadan uzak ve kültürel zenginliği içinde barındıran farklı bir alanın tanımlamasını yapmaya çalışmışlardır.
Sözü edilen bu ‘üçüncü alan’ özellikle felsefe, kültürel antropoloji ve kültürel çalışmalar disiplini içerisinde yer alan ve bir tür kültürel alaşımı(cultural bricolage) ifade eden farklı bir kavramsallaştırmadır. ‘Üçüncü kültür’ şeklindeki bu tür oluşumlar, aktif özneler tarafından farklı kültürel geleneklerden, kaynaklardan ve toplumsal söylemlerden alınan parçaların-resim sanatında kullanılan kolaj tekniğinde olduğu gibi-bir araya getirilmesi suretiyle yeni bir kültürel alaşımın oluşturulmasını ifade ederler. Guattari bu alanı, çeşitliliğin ve zenginliğin olduğu bir alan olarak tanımlar. Ona göre bu alanda tekillikler, farklılıklar, istisnalar ve azlıklar demokratik bir şekilde bir arada yer alabilirler. Siyahın beyazla, ‘iyi’nin ‘kötü’yle, ‘güzel” in ‘çirkin’le içerdekinin dışardakiyle ve öznenin ötekiyle bir araya geldiği alandır söz konusu olan (Guattari, 1989: 14). Kültürel alaşımın sergilendiği ‘üçüncü alan’, kendine özgü benliklere sahip öznelerin ve bireylerin yeşermesine olanak tanır. Aynışekilde, Deleuze ve Guattari’nin (1988) ürettikleri rizom (rhizome) sözcüğü de böyle bir olguyu anlatmak için kullanılmaktadır: Rizom: ‘kök-gövde’dir; bitkinin toprak altında kalan ve yatay olarak uzanan kök kısmıdır. Deleuze ve Guattari (1988: 25) yücelttikleri rizomatik oluşumu şu cümlelerle açıklarlar: Bir rizomun başlangıcı ya da sonu yoktur; her zaman ortadadır, şeylerin arasındadır, ara-oluştur, intermezzodur… Ağaç, ‘olmak’ filmi empoze eder, fakat rizomun dokusu ‘ve ve ve ‘ bağlacıdır Bu bağlacın olmak filmi sarsmak ve yerinden etmek ıçin yeterlı gucu vardır Nereye gidiyorsun? Nereden geliyorsun? Nereye yöneliyorsun? Bunlar tümüyle boş sorulardır Beyaz bir sayfa açmak, yeniden sıfırdan başlamak, bir başlangıç ya da bir temel aramak —bunların hepsi yanlış bir yolculuk ve hareket kavramı ima ediyor. . .Fakat Kleist, Lenze ve Büchner’de bir başka yolculuk ve hareket biçimi vardı. Ortadan sürdürmek, ortanın içinden geçmek, başlayıp bitirmek yerine gidip gelmek. Amerikan edebiyatı ve özellikle İngiliz edebiyatı bu rizomatik yönü çok büyük ölçüde ortaya koyar; şeylerin arasında nasıl hareket edileceğini biliyorlar, bir VE mantığı kuruyorlar, ontolojiyi başlarından atıyorlar, temellerle işleri kalmıyor ve başlangıçları ve sonlarıgeçersizleştiriyorlar. Pragmatiği (edimbilgisi) nasıl uygulayacaklarını biliyorlar. Orta hiçbir şekilde bir ortalama değildir; aksine şeylerin hız kazandığı yerdir. Şeyler arası, bir şeyden diğerine gidip gelen, yeri tespit edilebilir bir ilişkiyi göstermeyen bir düşey yöndür, birini ve ötekini süpüren bir verev hareket, kıyılarını aşındıran ve ortasında hız kazanan, başıveya sonu olmayan bir akıştır. Deleuze ve Guattari’nin ‘orta’ olarak tanımladıklarıkonumlanma ‘arada kalmışlık hâli’ anlamına gelmez. Bin Yayla adlı kitaplarına da ismini veren bir yaylanın da ifade ettiği gibi zenginliklerin, yoğunlukların, titreşim kesişmelerin, alaşımların olduğu yerdir: Bir yayla her zaman ortadadır, başta ya da sonda değil. Bir rizom yaylalardan yapılmıştır, gelişimi bir bitiş noktasına doğru ya da dışsal bir sona doğru yönelmekten kaçınan, sürekli bir öz-titreşimli yoğunluklar bölgesi (Deleuze ve Guattari, 1988: 21-22). Zaman zaman kendi anavatanlarına ve ‘misafir’ olduklarıtopraklara yabancı olduğu düşünülen diyasporik özneler, ‘gurbette’ yaşayanlar, yolları kendilerine memleket edinenler, göçmenler ve sığınmacılar gibi insanlar aslında bu yaylalarda, ortada, kendilerinin yarattığızengin kültürel coğrafyalarda yaşayan ve bu nedenle kendine özgü benliklere, kimliklere sahip olan insanlardır. ‘Orta’ veya ‘üçüncü alan’ olarak nitelenebilecek bu alanlar bizlere, bizim dışımızda ve bizden bağımsız olarak var olan ‘öteki’ ile, onu asimile etmeksizin ve sömürgeleştirmeye çalışmaksızın, eşitler-arası bir diyalog gerçekleştirme şansı verir. Yukarıda verdiğimiz iki örnek Kartezyen çatışma düşüncesinin felsefe, kültürel antropoloji ve kültürel çalışmalar disiplinlerinde nasıl aşılabileceğine ilişkin farklıönermelere ilişkindir. Bu noktada, Levinas’a biraz daha kulak vererek bu çatışma alanından, üretkenliğin daha fazla olduğu yeni alana nasıl geçileceğine ilişkin yeni ipuçlarıedinmekte fayda var. Böylelikle, yukarıda da dile getirildiği gibi düalizmlerden yanı ikili düşüncelerden kaçınmanın yollarıdaha da belirginlik kazanabilir. Levinas, bizi karşıtlıkların çatışması temelinde ele alman ikili düşüncenin (dualism) tutsağı olmaktan kurtarmaya çalışır. Platon’un sadece ‘düşünce’ (idea) vardır derken altını çizdiği mutlak tekçi yaklaşıma, Decartes ‘ruh ve beden’in varlığını iddia ederek ikili düşünce yaklaşımıyla karşı çıkmıştır. Decartes’ın sunduğu ‘olguların ve maddelerin kendi karşıtlıklarıyla var olabileceği tezi’ bizleri sınırlı diadık (ikili) düşüncenin içine hapsetmiştir. Levinas ise bu sınırlı yaklaşımın ötesine giderek Decartes, Hegel ve Marks gibi düşünürlerin dualizmini katı bir dille eleştirir ve bizleri triadik.(üçlü) düşünmeye çağırır (Levinas, 1986, 1987, 1998). Levinas, diğer filozoflar gibi kendisinin de ‘egoloji’ yaptığını, yani ‘egonun bilimi’ ile uğraştığını söyler. Ama bazı önemli farklarla. Öncelikli olarak, O, kendisi için yaşayan bir egonun gözünden, dünyayı açıklamaya çalışmaz. Onun için önemli olan, ‘öteki’ için yaşayan öznenin etik sorumluluğudur. Levinas, ayrıca, ‘ben’ ile ‘öteki’ arasındaki ilişkide sadece iki tarafın değil, ayrıca ‘üçüncü’ tarafların da bulunduğunu öne sürer. ‘Üçüncü’, onun özenle altını çizdiği diyalog (yani kutsanmış bir tür yüz-yüze iletişim) sırasında gerçekte mevcut olmayabilir, ancak gerek ‘ben’in gerek ‘öteki’nin diyalog öncesinde/sonrasında. iletişime geçtiği/geçeceği başka ‘ötekileri’ olmuştur/olacaktır hiç kuşkusuz. Ayrıca, ‘üçüncü’ bir kişi olmak zorunda değildir. Üçüncü, ‘ben’ ve ‘öteki’ arasındaki diyalog ve etkileşim sürecinde iki taraftan bağımsız olarak ortaya çıkan a priori bir oluşumdur. Önemli olan bu üçüncü alanın varlığından haberdar olmak ve. bu alanın ortaya çıkması için gerekli, etik çabayı göstermektir. Bunun öncelikli önkoşulu Kartezyen dualizmden mümkün olduğunca uzak durmaya çalışmak ve zenginliklerin, titreşimlerin bulunduğu ‘ortalarda’ yer almaktır.
Doç. Dr. Ayhan Kaya (Bilgi Üniversitesi Uluslararasıİlişkiler Bölümü.) Kaynak: Doğu Batı-Düşünce Dergisi-Sayı 28- 2004
Alev ALATLI-KURTLAR VADİSİKurtlar vadisi
Amerikan Deniz Piyadelerinin ("Marine"lerinin) şehadetnamelerini duymamışınızdır. "Mezuniyet" töreni, gencecik erin, "Bir Deniz Piyadesi Nedir?" haykırışı ile başlar ve şöyle devam eder: "Birleşik Devletler Deniz Piyadeleri, iki yüz yılı aşkın titremesidir yerin! Cehennemdir! Ölümdür! Yıkımdır! Dünyanın gördüğü en iyi savaş makinasıdır! Bombaların açtığı bir çukurda doğduk biz! Anamız bir M-16, babamız ta kendisidir İblis'in! Denk al ayağını! Senin hayatına yönelik yeni bir tehdittir, yaşadığım her an benim! Ben, kaba görünüşlü, gezginci bir deniz piyadesiyim! Ben, kibirli, benmerkezci ve küstahım! Korku nedir bilmem; çünkü korkunun ta kendisiyim ben! Kan ve barsaktan oluşan yeşil bir canavarım! Suda da, karada da yaşayabilirim! Ama sudan çıktım ve cerahatimi dünyada mukim Amerikan-karşıtlarının üstüne boşaltıyorum! Ne zaman gerekir, ne zaman olursa, muharebe alanında görkemli bir ölümle ölecek, hayatımı Annem, Deniz Piyadeleri ve Amerikan Bayrağı uğruna feda edeceğim! Kartalı Hava Kuvvetleri'nden, çıpayı Deniz Kuvvetleri'nden, halatı Kara Kuvvetleri'nden çaldık biz! /forslarından bahsediyor. Amerikan Deniz Piyadelerinin forsları halat sarılı çıpanın üstüne konmuş kartaldır/ Allah dinlenirken Yedinci Gün'de, O'nun sınırlarını aştık, dünyayı çaldık! O gün, bu gün, gösteriyi biz yürütüyoruz! Biz, piyadeler gibi yaşar, denizciler gibi konuşur, her ikisinin de ayaklarını yerden keseriz şamarlarımızla! Gündüz asker, gece hovarda, dilediğimizde sarhoş ve Allah'ın izniyle, Deniz Piyadeleri'yiz, biz!" Gel, kardeşim, gel! Gel de, yasakla bütün şehadetnameleri ekranlardan! Yasakla ki, muhtelif Samast zanlıları, dinleyip, dinleyip de büsbütün kudurmasınlar! Ey, ihtiyatlı resmi/sivil aydınları ülkemin! Ey, hayatı göğüslemeye gelince, sıradanlaşan sıradışı entellektüelleri ülkemin! Sakın, duymasın bizim yeniyetmeler kötülüğün amansız bir gerçek olduğunu! Biri diğerinin gırtlağına çökmüş, boğazlamaya çalışan, aynı kalbi paylaştıkları için bir ömür boyu başaramayan, ak saçlı siyam ikizlerinin varlığını. Çıplak memelerine yapıştırdıkları çıplak bebelerini, açlıkla kudurtulmuş bekçi köpeklerine teslim etmeyen, karınları burunlarında, çırılçıplak gebeleri. Dağıtılan beyinleri. Akıtılan beyinleri. Boşaltılan beyinleri. Çocuk çığlıklarını. Dev ... paraladığı ufacık çocukların cesetlerinden arda kalanları. Bir an önce ölmek için çırpınan gaz odası kurbanlarının haykırışlarını. Boşalan barsaklarının paniğini. Birkaç asılan, boynu kırık bedenleri! İşgalcilerin bir deri bir kemik bıraktığı bedenlerin dağlar gibi yığıldığı münbit toprakları. Çarpılan ağızları, dökülen dişleri. Oyulan gözleri. Kanı, dışkıyı, karanlığı. Eksi altmış derece soğuğu, artı altmış derece sıcağı. Karbonmonoksit, amonyak, metan püsküren taşlaşmış gezegeni. Tamahı, ihaneti, zulmü, iftirayı, tuzağı, dalavereyi. Soykırımın varlığını duymasınlar.
Sansür mide bulandırır... Yaşayakalabilmek için kötülüğün gözünün içine bakmak zorunda olduklarını bilmesinler! Neyle karşı karşıya olduklarının ayırdına varmasınlar!
Gerçeklerle silâhlanmasınlar, sakın!
Sakın, bilmesinler aslında amansız bir savaşın ortasında doğduklarını!
İhtiyatlı abilerinin sesine, 'doğru' bellediklerine ters düşmesinler!
Sakın farklılaşmasınlar!
Yüreklerindeki savaşçıyı uyandırmaya kalkmasınlar!
Umutsuzluğu ve korkuyu ilkesel olarak bile reddetmesinler!
Sayısız hasımla tek başlarına halleşebilecekleri bilgisini güçlendirmeye kalkışmasınlar!
Monşer, ama herkes bilir, "yiğitlik" iştiyakının çağdaş bir toplum yaratmak yolunda ne denli tehlikeli bir ruh hali olduğunu! Herkes bilir, "yiğitlik" denilen ruh halinin güvenlik içinde olmaya, rahat yaşamaya duyulan akıldışı husumet olduğunu! Gençlerimize rahat batmasın!
Giyim kuşam, gastronomi, seyahat, eğlence, modalar, küsmeler barışmalar, nazlar niyazlar - aman çağdaş 'trend'lerin dışına düşmesinler! Gerçeklik yolunda entelektüel toz dumandan korkmadan yürümeye kalkmasınlar! Don Kişotluğa soyunmasınlar sakın!
İnançlarını, güncel hal ve şeraitten, dost ve müttfefiklerimizden, genelde kabul gören değerlerden, sağlıklarından, ailelerinden, kınanmak hatta nefret edilmekten üstün tutmasınlar!
Küçük bir övgü ya da söylem ile mutlu olabilenleri, "sıradan adamdan" yiğit olmaz, yiğit sıradan değildir" tafrasıyla küçümsemesinler. Kendilerinde var olduğunu keşfettikleri gücü, itiraf, teslim, ikrar, kabul ve ilân ederek, incelikli düşünürleri, ihtiyat sahibi insanları gücendirmesinler! Felsefi olmayan, kutsal olmayan bir tarafları olduğunu anlasınlar!
Aşırı bireysel ve gururlu olduklarının farkına varsınlar. "Öteki"lerle aynı dokuyu paylaştıklarının çoğu zaman ayırdında bile olmadıklarını görsün, utansınlar! Her şeye rağmen, derin saygı gördüklerini hissediyorlarsa şayet, "yüce davranışlar" denilen eylemlerin, akıl işi olmadığının idrakinde olsunlar!
Günümüz Türkiye'sinde eylemlerini usa vurmayanlara kuşku ile bakıldığını unutmasınlar. Usa vurmaz, hisseder, ve eyleme geçer olmak; kısıtlamaya, sansüre gelmezlik yerleşiklerin huzurunu kaçırır, ince ruhlu olanlarımızın midelerini bulandırır, bilsinler.
Entelektüel kırtasiyeye değil, varlıklarındaki o gizli dürtüye, yaşayakalma güdüsüne itaat ettikleri gerçeğiyle avunmasınlar. Yaşayakalma güdüsü, zaman zaman en sıradan olanımızda da vardır varolmasına da, onlarınki süreklilik arzettiği, ısrarcı, atak olduğu, yorulmak bilmediği için tehditkârdır, unutmasınlar! Zorlukları tebessümle karşılayan, tehlike sirenlerine kulaklarını tıkayıp kendi müziğini yapan, kendi davulunun ritmine yürüyebilen, az rastlanır ruhlar kendi hallerine bırakılmazlar, "dengesizlik" karşı karşıya kaldıkları en hafif itham olacaktır. Yiğitliğin, "yiğitler"in kendilerinden başka kimseye erdem olarak görünmediğini de bilsinler. Hangi kitap kurdu demiş, öğretilmiş çaresizlik bu topraklarda yaşayakalmamızın önündeki en büyük müşküldür diye? Kim demiş, en büyük müşkül, yitirdiğimiz özgüvenin yeniden tesisidir diye? Hangi aklı evvel tespit etmiş, fena halde ürkütülmüş, savunmaya itilmiş olduğumuzu? Kavrukluğuna bakmayıp, durumu hamasi böbürlenmelerle idare eden bizim gibi ilkel kalabaların, "yiğit" tipolojilerine ihtiyaçları olamaz! "Yiğit" tipolojilerine, ne gerçekte, ne ekranda, ne sanalda, ne lâfta, ne perdede, ne temennide, ne de duada ihtiyaçları olamaz! "Polat" tipolojisi de kim oluyormuş?!. Bırakın, yiğitlik, John'lara, Johnny'lere, marinlere, rambolara, dört köşe çeneli Marlboro erkeklerine kalsın. Biz, delikanlılarımızın başına çuval yerine kadın içliği geçirerek, "insancıl"laştığımızı sanalım! Bu gezegende obez bir efendinin sofrasına sığınmış bir garip besleme kadar bile şansımız olmadığını unutalım. Aklımızı, iz'anımızı, RTÜK'e ve sivil avenesine teslim edelim! Gerçeklik gibi, umut gibi, sanatsal üretim gibi, başarı gibi utanç verici düşüncelerden uzaklaşalım. Avrupa Yakası'na, olmazsa Gümüş'e takılalım, kimseyi incitmeyelim, kimseyi kırmayalım, medeni abilerimizin izinden ayrılmayalım! Müstehaktır. Dünyayı bilmeyen, dünyanın maskarası olur. Kötülüğü bilmeyen, yaşamın. Kavminin kaderini eline almaktan kaçınan... Hangi koalisyon güçlerininkidir bilinmez; ama bu gezegenin bir yerinde, kalabalık omuzlu bir "psikolojik savaş uzmanı"nın, koltuğunun
arkasına rahatça yaslanıp, gülümsediğini görebiliyorum. "Kurtlar Vadisi"nin emekçilerine gelince: Diziyi saatler süren reklamlara dayanamadığım için izlemedim. Yakınlarda, DVD'sini gördüm. Sinemanın Türkiye'de belki de ilk kez, marjinal olmayan kaygılara seslenebildiğini düşündüm. Akıl vermek haddim değil; ama kadim bir Uygur diskuru vardır. "Kendinize güvenin!" der, "Kendinize güvenin! Akranlarınızın, çağınızın, Gerçeklik'in payınıza düşen kadarıyla da olsa, hakkını verin. Dil, din, ırk, cinsiyet ayırımının tuzağına düşmeden, zamanınızın en yetkin bilginleriyle, sanatçı ve filozoflarıyla dostluk kurun. Mahrem düşüncelerinizi aşkın zekâlarla paylaşın. Sizler, anneleri tarafından sakınılmak durumunda olan özürlüler ya da çocuklar değilsiniz. Kavminizin kaderini eline almaktan kaçınan korkaklar değilsiniz. Sizler, mağdurların kefaretini ödeyecek, kâbustan uyandıracak yetişkin erkeklersiniz." ALEV ALATLI 17/02/2007 17 oktober Lotfi Zadeh
22 juni Slavoj Žižek: The Cyberspace RealCyberspace Between Perversion and Trauma Are the pessimistic cultural criticists (from Jean Baudrillard to Paul Virilio) justified in their claim that cyberspace ultimately generates a kind of proto-psychotic immersion into an imaginary universe of hallucinations, unconstrained by any symbolic Law or by any impossibility of some Real? If not, how are we to detect in cyberspace the contours of the other two dimensions of the Lacanian triad ISR, the Symbolic and the Real? As to the symbolic dimension, the solution seems easy — it suffices to focus on the notion of authorship that fits the emerging domain of cyberspace narratives, that of the "procedural authorship": the author (say, of the interactive immersive environment in which we actively participate by role-playing) no longer writes detailed story-line, s/he merely provides the basic set of rules (the coordinates of the fictional universe in which we immerse ourselves, the limited set of actions we are allowed to accomplish within this virtual space, etc.), which serves as the basis for the interactor's active engagement (intervention, improvisation). This notion of "procedural authorship" demonstrates the need for a kind of equivalent to the Lacanian "big Other": in order for the interactor to become engaged in cyberspace, s/he has to operate within a minimal set of externally imposed accepted symbolic rules/coordinates. Without these rules, the subject/interactor would effectively become immersed in a psychotic experience of an universe in which "we do whatever we want" and are, paradoxically, for that very reason deprived of our freedom, caught in a demoniac compulsion. It is thus crucial to establish the rules that engage us, that led us in our immersion into the cyberspace, while allowing us to maintain the distance towards the enacted universe. The point is not simply to maintain "the right measure" between the two extremes (total psychotic immersion versus non-engaged external distance towards the artificial universe of the cyber-fiction): distance is rather a positive condition of immersion. If we are to surrender to the enticements of the virtual environment, we have to "mark the border," to rely on a set of marks which clearly designate that we are dealing with a fiction, in the same way in which, in order to let ourselves go and enjoy a violent war movie, we somehow have to know that what we are seeing is a staged fiction, not real-life killing (imagine our horrible surprise if, while watching a war scene, we would suddenly see that we are watching a snuff, that the actor engaged in face-to-face combat is effectively cutting the throat of his "enemy"…). Against the theorists who fear that cyberspace involves the regression to a kind of psychotic incestuous immersion, one should thus discern in today's often clumsy and ambiguous improvisations about "cyberspace rules" precisely the effort to establish clearly the contours of a new space of symbolic fictions in which we fully participate in the mode disavowal, i.e. being aware that "this is not real life." However, if this is the Symbolic, where is the Real? Is cyberspace, especially virtual reality, not the realm of perversion at its puresy? Reduced to its elementary skeleton, perversion can be seen as a defense against the Real of death and sexuality, against the threat of mortality as well as the contingent imposition of sexual difference: what the perverse scenario enacts is a "disavowal of castration" — a universe in which, as in cartoons, a human being can survive any catastrophe; in which adult sexuality is reduced to a childish game; in which one is not forced to die or to choose one of the two sexes. As such, the pervert's universe is the universe of pure symbolic order, of the signifier's game running its course, unencumbered by the Real of human finitude. So, again, does not our experience of cyberspace perfectly fit this perverse universe? Isn't cyberspace also a universe without closure, unencumbered by the inertia of the Real, constrained only by its self-imposed rules? In this comic universe, as in a perverse ritual, same gestures and scenes are endlessly repeated, without any final closure, i.e. in this universe, the refusal of a closure, far from signalling the undermining of ideology, rather enacts a proto-ideological denial: "The refusal of closure is always, at some level, a refusal to face mortality. Our fixation on electronic games and stories is in part an enactment of this denial of death. They offer us the chance to erase memory, to startover, to replay an event and try for a different resolution. In this respect, electronic media have the advantage of enacting a deeply comic vision of life, a vision of retrievable mistakes and open options." The final alternative with which cyberspace confronts us is thus: are we necessarily immersed in cyberspace in the mode of the imbecilic superego compulsion-to-repeat, in the mode of the immersion into the "undead" perverse universe of cartoons in which there is no death, in which the game goes on indefinitely, or is it possible to practice a different modality of relating to cyberspace in which this imbecilic immersion is perturbed by the "tragic" dimension of the real/impossible? There are two standard uses of cyberspace narrative: the linear, single-path maze adventure and the "postmodern" hypertext undetermined form of rhizome fiction. The single-path maze adventure moves the interactor towards a single solution within the structure of a win-lose contest (overcoming the enemy, finding the way out…). So, with all possible complications and detours, the overall path is clearly predetermined: all roads lead to one final Goal. In contrast to it, the hypertext rhizome does not privilege any order of reading or interpretation: there is no ultimate overview or "cognitive mapping," no possibility to unify the dispersed fragments in acoherent encompassing narrative framework, one is irreducibly enticed in conflicting directions — we, the interactors, just have to accept that we are lost in the inconsistent complexity of multiple referrals and connections… The paradox is that this ultimate helpless confusion, this lack of final orientation, far from causing an unbearable anxiety, is oddly reassuring: the very lack of the final point of closure serves as a kind of denial which protects us from confronting the trauma of our finitude, of the fact that there our story has to end at some point — there is no ultimate irreversible point, since, in this multiple universe, there are always other paths to explore, alternate realities into which one can take refuge when one seems to reach a deadlock. — So how are we to escape this false alternative? Janet Murray refers to the story structure of the "violence-hub", similar to the famous Rashomon predicament: an account of some violent or otherwise traumatic incident (a Sunday trip fatality, a suicide, a rape…) is placed at the center of a web of narratives-files that explore it from multiple points of view (perpetrator, victim, witness, survivor, investigator…): "The proliferation of interconnected files is an attempt to answer the perennial and ultimately unanswerable question of why this incident happened. /…/ These violence-hub stories do not have a single solution like the adventure maze or a refusal of solution like the postmodern stories; instead, they combine a clear sense of story structure with a multiplicity of meaningful plots. The navigation of the labyrinth is like pacing the floor; a physical manifestation of the effort to come to terms with the trauma, it represents the mind's repeated efforts to keep returning to a shocking event in an effort to absorb it and, finally, get past it." It is easy to perceive the crucial difference between this "retracing of the situation from different perspectives" and the rhizomatic hypertext: the endlessly repeated reenactment is referred to the trauma of some impossible Real which forever resists its symbolization — all these different narrativizations are ultimately just so many failures to cope with this trauma, with the contingent abyssal occurrence of some catastrophic Real like suicide apropos of which no "why" can ever serve as its sufficient explanation. — In a later closer elaboration, Murray even proposes two different versions of presentifying a traumatic suicidal occurrence, apart from such a texture of different perspectives. The first is to transpose us into the labyrinth of the subject's mind just prior to his suicide; the structure is here hypertextual and interactive, we are free to choose different options, to pursue the subject's ruminations in a multitude of directions — but whichever direction or link we choose, we sooner or later end up with the blank screen of the suicide. So, in a way, our very freedom to pursue different venues imitates the tragic self-closure of the subject's mind: no matter how desperately we look for a solution, we are compelled to acknowledge that there is no way out, that the final outcome will always be the same. The second version is the opposite one: we, the interactors, are put in the situation of a kind of "lesser god," having at our disposal a limited power of intervention into the life-story of the subject doomed to kill himself — say, we can "rewrite" the subject's past so that his girlfriend would not have left him, or that he would not have failed the crucial exam; yet whatever we do, the outcome is the same, so even God himself cannot change Destiny… (We find a version of this same closure in a series of alternative history sci-fi stories, in which the hero intervenes in the past in order to prevent some catastrophic event to occur, yet the unexpected result of his intervention is an even worse catastrrophy, like Stephen Fry's Making History, in which a scientist intervenes in the past making Hitler's father impotent just prior to Hitler's conception, so that Hitler is not born — as one can expect, the result of this intervention is that another German officer of aristocratic origins takes over the role of Hitler, develops the atomic bomb in time and wins the World War II.) The futur anterieur in the History of Art In a closer historical analysis, it is crucial not to conceive this narrative procedure of the multiple-perspective encircling of an impossible Real as a direct result of the cyberspace technology: technology and ideology are inextricably intertwined, ideology is inscribed already in the very technological features of cyberspace. More precisely, what we are dealing with here is yet another example of the well-known phenomenon of the old artistic forms pushing against their own boundaries and using procedures which, at least from our retroactive view, seem to point towards a new technology that will be able to serve as a more "natural" and appropriate "objective correlative" to the life-experience the old forms endeavoured to render by means of their "excessive" experimentations. A whole series of narrative procedures in the l9th century novels announce not only the standard narrative cinema (the intricate use of "flashback" in Emily Bronte or of "cross-cutting" and "close-ups" in Dickens), but sometimes even the modernist cinema (the use of "off-space" in Madame Bovary) — as if a new perception of life was already here, but was still struggling to find its proper means of articulation, until it finally found it in cinema. What we have here is thus the historicity of a kind of futur anterieur: it is only when cinema was here and developed its standard procedures that we can really grasp the narrative logic of Dickens's great novels or of Madame Bovary. And is it not that today, we are approaching a homologous threshold: a new "life experience" is in the air, a perception of life that explodes the form of the linear centered narrative and renders life as a multiform flow — even and up to the domain of "hard" sciences (quantum physics and its Multiple Reality interpretation, or the utter contingency that provided the spin to the actual evolution of the life on Earth — as Stephen Jay Gould demonstrated in his Wonderful Life, the fossils of Burgess Shale bear witness to how evolution may have taken a wholly different turn) we seem to be haunted by the chanciness of life and the alternate versions of reality. Either life is experienced as a series of multiple parallel destinies that interact and are crucially affected by meaningless contingent encounters, the points at which one series intersects with and intervenes into another (see Altman's Shortcuts), or different versions/outcomes of the same plot are repeatedly enacted (the "parallel universes" or "alternative possible worlds" scenarios — see Kieslowski's Chance, Veronique and Red; even "serious" historians themselves recently produced a volume Virtual History, the reading of the crucial Modeern Age century events, from Cromwell's victory over Stuarts and American independence war to the disintegration of Communism, as hinging on unpredictable and sometimes even improbable chances). This perception of our reality as one of the possible — often even not the most probable — outcomes of an "open" situation, this notion that other possible outcomes are not simply cancelled out but continue to haunt our "true" reality as a spectre of what might have happened, conferring on our reality the status of extreme fragility and contingency, implicitly clashes with the predominant "linear" narrative forms of our literature and cinema — they seem to call for a new artistic medium in which they would not be an eccentric excess, but its "proper" mode of functioning. One can argue that the cyberspace hypertext is this new medium in which this life experience will find its "natural," more appropriate objective correlative, so that, again, it is only with the advent of cyberspace hypertext that we can effectively grasp what Altman and Kieslowski were effectively aiming at. Are not the ultimate example of this kind of futur anterieur Brecht's (in)famous "learning plays," especially his The Measure Taken, often dismissed as the justification of Stalinist purges. Although "learning plays" are usually conceived as an intermediary phenomenon, the passage between Brecht's early carnavalesque plays critical of bourgeois society and his late "mature" epic theatre, it is crucial to recall that, just before his death, when asked about what part of his works effectively augurs the "drama of the future," Brecht instantly answered "The Measure Taken." As Brecht emphasized again and again, The Measure Taken is ideally to be performed without the observing public, just with the actors repeatedly playing all the roles and thus "learning" the different subject-positions — do we not have here the anticipation of the cyberspace "immersive participation," in which actors engage in the "educational" collective role-playing. What Brecht was aiming at is the immersive participation which, nonetheless, avoids the trap of emotional identification: we immerse ourselves at the level of "meaningless," "mechanical" level of what, in Foucauldian terms, one is tempted to call "revolutionary disciplinary micro-practices," while at the same time critically observing our behavior. Does this not point also to a possible "educational" use of participatory cyberspace role-playing games in which, by way of repeatedly enacting different versions/outcomes of a same basic predicament, one can become aware of the ideological presuppositions and surmises that unknowingly guide our daily behavior? Do Brecht's three versions of his first great "learning play," Der Jasager, effectively not present us with such hypertext / alternate reality experience: in the first version, the boy "freely accept the necessary," subjecting himself to the old custom of being thrown into the valley; in the second version, the boy refuses to die, rationally demonstrating the futility of the old custom; in the third version, the boy accepts his death, but on rational grounds, not out of the respect for mere tradition. So when Brecht emphasizes that, by participating in the situation staged by his "learning plays," actors/agents themselves have to change, progressing towards a different subjective stance, he effectively points towards what Murray adequately calls "enactment as a transformational experience." In other words, apropos of Brecht's "learning plays," one should ask a naive straightforward question: what, effectively, are we, spectators, supposed to learn from them? Not some corps of positive knowledge (in this case, instead of trying to discern the Marxist idea wrapped in the "dramatic" scenery, it would certainly be better to read directly the philosophical work itself…), but a certain subjective attitude, that of "saying YES to the inevitable," i.e. the readiness to self-obliteration — in a way, one learns precisely the virtue of accepting the Decision, the Rule, without knowing why… In his much underrated The Lost Highway, David Lynch transposes the vertical into the horizontal: social reality (the everyday aseptic/impotent modern couple) and its "repressed" fantasmatic supplement (the noir universe of forbidden masochistic passions and Oedipal triangles) are directly posited one next to the other, as two alternate universes. This co-existence and mutual envelopment of different universes led some New Age tilted reviewers to claim that The Lost Highway moves at a more fundamental psychic level than that of unconscious fantasizing of one subject: at a level, closer to the mind of "primitive" civilizations, of reincarnation, of double identities, of being reborn as a different person, etc. Against this "multiple reality" talk, one should insist on the fact that the fantasmatic support of reality is in itself necessarily multiple and inconsistent. And this is what Lynch does in The Lost Highway: he "traverses" our late-capitalist fantasmatic universe not by way of direct social criticism (depicting the grim social reality which serves as its actual foundation), but by staging these fantasies openly, without the "secondary perlaboration" which usually masks their inconsistencies. That is to say, the undecidability and ambiguity of what goes on in the film's narrative (are the two women played by Patricia Arquette the same women? Is the inserted story of Fred's younger reincarnation just Fred's hallucination, imagined to provide a post-festum rationale for his murder of his wife whose true cause is Fred's hurted male pride due to his impotence, his inability to satisfy the woman?) renders the very ambiguity and inconsistency of the fantasmatic framework which underlies and sustains our experience of (social) reality. It was often claimed that Lynch throws us, the spectators, open in our face the underlying fantasies of the noir universe — yes, but he simultaneously also renders visible the INCONSISTENCY of this fantasmatic support. The two main story-lines in The Lost Highway can thus be interpreted as akin to the dream-logic in which you can both "have your cake and eat it", like in the "Tea or coffee? Yes, please!" joke: you first dream about eating it, then about having/possessing it, since dreams does not know of contradiction. The dreamer resolves a contradiction by staging two exclusive situations one after the other; in the same way, in The Lost Highway, the woman (the dark Arquette) is destroyed/killed/punished, and the same woman (the blond Arquette) eludes the male grasp and triumphantly disappears… Or, to put it in yet another way, Lynch confronts us with a universe in which different, mutually exclusive fantasies co-exist. Peter Hoeg's novel The Woman and the Ape stages sex with an animal as a fantasy of full sexual relationship, and it is crucial that this animal is as a rule male: in contrast to the cyborg-sex fantasy, in which the cyborg is as a rule a woman, i.e. in which the fantasy is that of Woman-Machine (Blade Runner), the animal is a male ape copulating with a human woman and fully satisfying her. Does this not materialize two standard vulgar notions: that of a woman who wants a strong animal partner, a "beast," not a hysterical impotent weakling, and that of a man who wants his feminine partner to be a perfectly programmed doll meeting all his wishes, not an effective living being. What Lynch does by staging inconsistent fantasies together, at the same level, is, in the terms of Hoag's novel, something akin to confronting us with the unbearable scene of the "ideal couple" underlying this novel, the scene of a male ape copulating with a female cyborg — the most efficient way to undermine the hold this fantasy exerts over us. And, perhaps, along the same lines, cyberspace, with its capacity to externalize our innermost fantasies in all their inconsistency, opens up to artistic practice a unique possiblity to stage, to "act out," the fantasmatic support of our existence, up to the fundamental "sado-masochistic" fantasy that can never be subjectivized. We are thus invited to risk the most radical experience imaginable: the encounter with the Other Scene that stages the foreclosed hard core of the subject's Being. Far from enslaving us to these fantasies and thus turning us into desubjectivized blind puppets, it enables us to treat them in a playful way and thus to adopt towards them a minimum of distance — in short, to achieve what Lacan calls la traversee du fantasme, "going-through, traversing the fantasy." Constructing the Fantasy The strategy of "traversing the fantasy" in cyberspace can even be "operationalized" in a much more precise way. Let us for a moment return to Brecht's three versions of Der Jasager: these three versions seems to exhaust all possible variations of the matrix provided by the basic situation (perhaps with the inclusion of the fourth version, in which a boy rejects his death not for rational reasons, as unnecessary, but out of pure egotistic fear — not to mention the uncanny fifth version in which the boy "irrationally" endorses his death even when the "old custom" does NOT ask him to do it…). However, already at the level of a discerning "intuitive" reading, we can feel that the three versions are not at the same level: it is as if the first version renders the underlying traumatic core (the "death-drive" situation of willingly endorsing one's radical self-erasure), and the other two versions in a way react to this trauma, "domesticating" it, displacing/translating it into more acceptable terms, so that, if we were to see just one of these two latter versions, the proper psychoanalytic reading of them would justify the claim that these two versions present a displaced/transformed variation of some more fundamental fantasmatic scenario. Along the same lines, one can easily imagine how, when we are haunted by some fantasmatic scenario, externalizing it in cyberspace enables us to acquire a minimum of distance towards it, i.e. to subject it to a manipulation which will generate other variations of the same matrix — and, once we exhaust all main narrative possibilities, once we are confronted with the closed matrix of all possible permutations of the basic matrix underlying the explicit scenario we started with, we are bound to generate also the underlying "fundamental fantasy" in its undistorted, "non-sublimated," embarrassingly outright form, i.e. not yet displaced, obfuscated by "secondary perlaborations": "The experience of the underlying fantasy coming to the surface is not merely an exhaustion of narrative possibilities; it is more like the solution to a constructivist puzzle. /…/ When every variation of the situation has been played out, as in the final season of a long-running series, the underlying fantasy comes to the surface. /…/ Robbed of the elaboration of sublimation, the fantasy is too bald and unrealistic, like the child carrying the mother up to bed. The suppressed fantasy has a tremendous emotional charge, but once its energy has saturated the story pattern, it loses its tension." Is this "losing the tension" of the fundamental fantasy not another way to say that the subject traversed this fantasy? Of course, as Freud emphasized apropos of the fundamental fantasy "My father is beating me," underlying the explicit scene "A child is being beaten" that haunts the subject, this fundamental fantasy is a pure retroactive construction, since it was never present to the consciousness and then repressed: although it plays a proto-transcendental role, providing the ultimate coordinates of the subject's experience of reality, the subject is never able to fully assume/subjectivize in the first person singular — precisely as such, it can be generated by the procedure of "mechanical" variation on the explicit fantasies that haunt and fascinate the subject. To evoke Freud's other standard example, endeavouring to display how pathological male jealousy involves an unacknowledged homosexual desire for the male partner with whom I think my wife is cheating me: we arrive at the underlying statement "I LOVE him" by manipulating/permutating the explicit statement of my obsession "I HATE him (because I love my wife whom he seduced)." — We can see, now, how the purely virtual, non-actual, universe of cyberspace can "touch the Real": the Real we are talking about is not the "raw" pre-symbolic real of "nature in itself," but the spectral hard core of "psychic reality" itself. When Lacan equates the Real with what Freud calls "psychic reality," this "psychic reality" is not simply the inner psychic life of dreams, wishes, etc., as opposed to the perceived external reality, but the hard core of the primordial "passionate attachments," which are real in the precise sense of resisting the movement of symbolization and/or dialectical mediation: "/…/ the expression 'psychical reality' itself is not simply synonymous with 'internal world,' 'psychological domain,' etc. If taken in the most basic sense that it has for Freud, this expression denotes a nucleus within that domain which is heterogeneous and resistant and which is alone in being truly 'real' as compared with the majority of psychical phenomena." The "real" upon which cyberspace encroaches is thus the disavowed fantasmatic "passionate attachment," the traumatic scene which not only never took place in "real life," but was never even consciously fantasized — and is not the digital universe of cyberspace the ideal medium in which to construct such pure semblances which, although they are nothing "in themselves," pure presuppositions, provide the coordinates of our entire experience? It may appear that the impossible Real is to be opposed to the virtual domain of symbolic fictions: is the Real not the traumatic kernel of the Same against whose threat we seek refuge in the multitude of virtual symbolic universes? However, our ultimate lesson is that the Real is simultaneously the exact opposite of such a non-virtual hard core: a purely virtual entity, an entity which has no positive ontological consistency — its contours can only be discerned as the absent cause of the distortions/displacements of the symbolic space. And it is only in this way, through touching the kernel of the Real, that cyberspace can be used to counteract what one is tempted to call the ideological practice of disidentification. That is to say, one should turn around the standard notion of ideology as providing the firm identification to its subjects, constraining them to their "social roles": what if, at a different — but no less irrevocable and structurally necessary — level, ideology is effective precisely by way of constructing a space of false disidentification, of false distance towards the actual coordinates of the subjects's social existence? Is this logic of disidentification not discernible from the most elementary case of "I am not only an American (husband, worker, democrat, gay…), but, beneath all these roles and masks, a human being, a complex unique personality" (where the very distance towards the symbolic feature that determines my social place guarantees the efficiency of this determination), up to the more complex case of cyberspace playing with one's multiple identities? The mystification operative in the perverse "just gaming" of cyberspace is thus double: not only are the games we are playing in it more serious than we tend to assume (is it not that, in the guise of a fiction, of "it's just a game," a subject can articulate and stage — sadistic, "perverse," etc. — features of his symbolic identity that he would never be able to admit in his "real" intersubjective contacts?), but the opposite also holds, i.e. the much celebrated playing with multiple, shifting personas (freely constructed identities) tends to obfuscate (and thus falsely liberate us from) the constraints of social space in which our existence is caught. 1. See Janet H.Murray, Hamlet on the Holodeck, The MIT Press: Cambridge (Ma) 1997, p. 278.
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Lloyd Fell, David Russell & Alan Stewart (eds) Seized by Agreement, Swamped by Understanding The Fuzziness of Communication Vladimir Dimitrov and David Russell
Human beings differ in ways of understanding, interpreting, describing or sharing experience. On the basis of experience we construct our own conceptual systems (beliefs and values) that are neither consistent nor monolithic. "Alternative conceptual systems exist, whether one likes it or not. They are not likely to go away, since they arise from a fundamental human capacity to conceptualise experience...A refusal to recognise conceptual relativism where it exists does have ethical consequences. It leads directly to conceptual elitism and imperialism - to the assumption that our behaviour is rational and that of other people is not, and to attempts to impose our way of thinking on others" (Lakoff, 1987; p.337). No one is justified in believing that they have a correct understanding of the world and that others are wrong - there are not clear and unequivocal criteria for 'correctness' in human communication. "If we want to coexist with the other person, we must see that his certainty - however undesirable it may seem to us - is as legitimate and valid as our own..." (Maturana and Varela 1988; p.245).
How do people who think differently manage to communicate with one another? There should be something in our language which helps us to reduce misunderstanding and soften or avoid verbal conflict. This 'something' is its intrinsic fuzziness.
Paradoxically, it is the ubiquitous fuzziness of language through which we clarify what is meaningful for us in every day communication. We communicate not to exchange accurate information, nor to look for a single comprehension of meaning, but to interact using the largest possible variety of fuzzy linguistic facets co-existing in parallel and complementing one another. The fuzziness of our 'languaging' (Maturana and Varela 1988) imposes complementarity and serves to foster our interactions. It makes categorical oppositions in human communication lose their strength and even dissolve in favour of a never completely finished process of production of meaning.
We are born with the potentiality to understand and manage fuzziness in communication - to learn how to reduce or enlarge it, how to reinvent and re-shape it, how to analyse or synthesise it anew, in order to be understood better (in a way they/we want to) or to make others' viewpoints clearer and more meaningful for us.
The fuzziness of language provides keys to better understanding and practical use of the concept of difference - a central concept in the discourse of post modernism: 'form of self-reference in which linguistic terms contain their opposites and thus refuse any singular grasp of their meaning' (Derrida 1973). Fuzziness works where classical 'yes' or 'no' logic ends - where contradictions begin and opposites fuse in a paradoxical ambiguity.
The Incompatibility Principle (Zadeh 1973) reveals the necessity for fuzziness when explaining and understanding the social reality in which we exist: as its complexity rises, precise categorical statements lose meaning and meaningful statements cease to be precise and categorical. The Incompatibility Principle is a corner-stone of the theory of fuzzy sets and systems. But it is also very practical: it plays a critical role in the functioning of any consensus seeking enterprise, where the issues of common concern have neither ultimate precisely defined answers nor unique scientific solutions (such are most environmental and socio-ecological issues of public concern). To deal with such issues, consensus seeking parties must develop an ability for a broad 'poly-ocular' vision, encompassing large variety of different images, attitudes, and opinions.
Second Order ConsensusThe search for mutual understanding under conditions of fuzziness, knowing that there is no ultimate answer and solution, becomes a creative learning process which is sufficiently open to involve all participating agents (stakeholders). It is exactly this process which drives a consensus-seeking enterprise and helps public participation to work.
Consensus is no longer considered as a similarity cluster of clearly articulated and unambiguously defined stakeholders' viewpoints. This is simply because such viewpoints are hardly ever found in the turbidity of human interactions. Consensus ceases to be a peaceful long-term commonality of stakeholders' interests. Such commonality grows on determinacy and stability. Unfortunately, neither determinacy nor stability characterise complexity of human interactions and communication. The more we reach for commonality in human interactions, the farther away it seems to be. No wonder that, in the post modernist framework, 'consensus is a horizon that is never reached' (Lyotard 1984).
An irreducible indeterminacy constantly emerges when we explore deeper both variety and uncertainty of decision-making. Paradoxically, instead of consensus being the power house of common social action, it is 'dissensus' which operates in a consensus seeking enterprise, permanently implanting chaotic vibrations in the process of communication. However the chaos does not necessarily cause the communication network to dissipate, rather it eventually gives birth to an emerging order in the form of a new type of consensus between stakeholders: a consensus for seeking a consensus.
This type can be defined as a 'second order consensus' - the stakeholders agree to seek consensus, to explore different ways that might lead to consensus, to get prepared to move together, to make the next step into the fuzziness of common expectation. It does not matter that consensus in our society is 'condemned' to be momentary and transient - what can endure in time is human anticipation and aspiration for it, the impulse to act together, the natural desire to interact and communicate, to share with and care for others. In other words, not only a search for common actualisation of meaning, but strong emotional factors (sharing and caring) catalyse the emergence of second order consensus out of the chaos of dissent and disagreement, contradictions and conflict.
Consensus Building versus Consensus SeekingTraditionally, stakeholders' consensus building includes:
Consensus seeking differs essentially from the process of consensus building. When seeking consensus stakeholders do not necessarily look for a 'common ground'. On the contrary, they underline and study the differences between them, trying to understand social mechanisms which make stakeholders differ in their interests, values, goals, etc.
No constraints on stakeholders' views and opinions, no forcibly imposed changes of their values and beliefs are required as preliminary conditions for seeking a consensus. The process is entirely open for emergence of new features and unpredictable situations - the spontaneity is the most important characteristic of this process. No preliminary assigned goals exist - every pre-imposed goal, constraint or requirement can inevitably narrow the scope of the stakeholders' search.
The search for consensus is motivated by the stakeholders' drive to be mutually complementary in their efforts to understand better the complexity of issues with which they are concerned, to find out how to act together in order to benefit from the differences in their knowledge. Being aware of inevitable fuzziness and uncertainty of this knowledge, stakeholders agree to explore it together, and create it anew. Thus, a consensus emerges - not simply in a form of an overlap of stakeholders' interests, values, goals, positions, views, etc., but as a shared understanding of complexity and preparedness to act together in accordance with this understanding.
Preparedness to Act TogetherStakeholder's preparedness to act together (i.e. 'consensus for seeking a consensus') can be expressed as a fuzzy composition of three major components:
The mutual trust crystallises in acting together: it ceases to be a derivative of the past only and appears as a property of stakeholders' togetherness, of their ability for collaborative actions.
The willingness to share power helps mutual relationships to continue under conditions of justice and fairness, with equal status in regard to the stakeholders' ability for decision-making and their granted responsibilities.
The higher the willingness to change in the direction of a higher degree of mutual trust and fair power sharing, the higher the estimation of the stakeholders' preparedness to act together towards consensus.
The interaction (communication) between stakeholders is considered as a process of change described as follows:
IF A interacts with B THEN A is changing to A' AND B is changing to B' SO THAT A' keeps interacting with B':
This IF/THEN rule is of a fuzzy type as neither the interaction between stakeholders A and B, nor the process of changing both A and B can be defined precisely. (They inevitably include a complex spectrum of interrelated processes, pregnant with uncertainty and vagueness, such as: learning together, being aware and open for understanding one another, sharing experience, knowledge and power, self-reflecting and self-educating, feeling, thinking, etc.).
The recurrent form of (1) is:
i denotes the i-th stage of interaction between stakeholders A and B, Ai, Bi denote A and B at the i-the stage of interaction, Ai+1, Bi+1 denote A and B in a process of changing as a result of the i-th stage of interaction. Each stage of interaction i (i = 0, 1, 2,..., m) is considered as the i-th step in some m steps of the second order consensus seeking process.
The rule (1) is easily extended for n (n>2) stakeholders S1, S2, ..., Sn:
Computer Assisted Consensus SeekingA consensus seeking enterprise can improve its functioning by using a computer assisted support system. A prototype of such a system: FLOCK (Fuzzy Logic Oriented Consensus Knitting), is in a process of design.
The FLOCK data base contains information about stakeholders' interests, needs, objectives, positions, projections, values, beliefs, feelings, anticipations, hopes, etc. The data for each of the stakeholders are grouped into fuzzy clusters.
In the process of interactions and communication, changes can occur in the structure of stakeholders' fuzzy clusters and in the relationships between them; these changes affect the information generated by FLOCK about the possible ways for seeking a consensus.
Different 'user-friendly' algorithms reflect the social 'climate' (conditions of interaction and communication between stakeholders) in the consensus seeking process, and can be used:
ReferencesDerrida, J. (1973) Theory of Signs, Northwestern University Press, Evanston.Lakoff, G. (1987) Women, Fire, and Dangerous Things, University of Chicago Press. Lyotard, J. F. (1984) The Postmodern Condition: A Report of Knowledge, Manchester University Press. Maturana, H. and F. Varela (1988) The Tree of Knowledge, Shambala, London. Zadeh, L. (1973) Outline of a new approach to the analysis of complex systems and decision processes, IEEE Trans. SMC, SMC-3 (1), January, 1973, pp. 28-44. Fuzzy Logic: A Key to Shared Wisdom
Lloyd Fell, David Russell & Alan Stewart (eds) Seized by Agreement, Swamped by Understanding Fuzzy Logic: A Key to Shared Wisdom Vladimir Dimitrov and Judith Bihl Dimitrov
AbstractThe ancient mythology could serve as an effective medium for metaphorically conveying complex concepts and principles to a broad spectrum of people. In this paper we show how the fuzzy logic approach can be used to translate the metaphoric language of ancient myths and legends into a 'soft' scientific paradigm which helps us to understand better the social complexity of our time.
The Wisdom of Humanity combines in its indestructible integrity both the rationality and irrationality of human thinking and acting. Logic is the torch of rationality in the darkness of unknown and uncertainty. Myths, legends, metaphors and paradoxes are the multifaceted eyes of irrationality - through them we can see in the darkness of unknown and uncertainty without any other torch. On the boundary between the rational and irrational is Fuzziness. Human beings are 'at root' irrational (Williams 1988) - the hidden power of their illogical intuition challenges constantly the constraints and 'norms' of rationality. Any discovery, before it happens, always seems irrational - it challenges and contradicts rationality. After it happens, rationality adopts it immediately - it becomes part of a new rational explanation. Just at the border, just at the edge of this transition, is the zone of fuzziness. How often does that burning feeling of an approaching insight bring us disquiet: the old is not accepted any more, the new is felt almost in certainty - but when we try to articulate it in words it seems so unclear, so imprecise, so fuzzy, that rationality does not tolerate it, attacks it, rejects it.
Fuzzy Logic tolerates the 'conceptual twilight' - we can say 'Yes and No' at the same moment, we are at ease with 'More or Less', 'Maybe' and 'Possibly' in our explanations (Kosko 1992). Linguistic paradoxes do not bring us to frustration or passivity, but on the contrary - they help us to see better what is beyond the parallel use of opposites (Lakoff 1987), to understand the 'game of words', and make a leap into another space where what was heretofore known as 'truth' dissolves into shadows: the shadows interweave, interlace, intertwist, and from the fuzzy symplectic ball they build emerges the New. Fuzzy logic helps us to penetrate into the wisdom of ancient myths and legends. The situation described in a myth is generalized, put into a broader context that relates to a spectrum of real life situations at the same time.
The Irrational Language of ancient myths becomes a rational tool for analyzing amd understanding the complexity of real life situations.
The sword of Damocles is suspended by a single hair over the head of a courtier of ancient Syracuse as a reminder of the insecurity of a tyrant's happiness: - this myth ceases to be only a story about Damocles whom Dionysius of Syracuse (4th c. BC) feasted while a sword hung over him. It is generalized into a powerful explanation of a myriad real life situations impregnated with imminent danger, impending disaster and threat.
The Sisyphean labour does not relate only to that king of Corinth condemned after death to roll a heavy stone up a steep hill, only to have it always roll down again when it neared the top, but to all situations of endless and unavailing trials of people trying to achieve what cannot be achieved.
The Procrustean bed is not only a name of a mythological place to rest where travellers were stretched or mutilated by Procrustes, a legendary robber and brigand, but applies to any arbitrary standard to which strict conformity is forced.
Pandora's box does not label only the magical present given by Zeus to Pandora, which contained all human ills, but relates to all sources of unexpected extensive troubles.
Using fuzzy logic we are able to estimate the degree of compatibility between the metaphoric messages contained in ancient myths and the explanations we give to complex social phenomena and processes. For example:
ReferencesKosko, Bart (1992) Neural Networks and Fuzzy Systems, Prentice Hall, New York.Lakoff, George (1987) Women, Fire, and Dangerous Things, The University of Chicago Press. Williams, Raymond (1988) Keywords: a Vocabulary of Culture and Society, Fontana, London. http://www.pnc.com.au/~lfell/fuzlog.html
Film-Philosophy
Roland Barthes
Roland Barthes, On CinemaScope
Jim Morrison, On Barthes On CinemaScope
Jean Baudrillard
Jean Baurdillard, Symbolic Exchange and Death
Rex Butler, It is Never a Decision to Choose Between This and That (a response to Herwitz's review-article below)
Daniel Herwitz, The Defence of Extreme Realities (on Rex Butler's Jean Baudrillard: The Defense of the Real)
Erik Marshall, Fatal Strategies and Film Studies (on Fatal Strategies by Jean Baudrillard)
Kenneth Rufo, Obscenity with a View (on Jean Baudrillard's Revenge of the Crystal: Selected Writings on the Modern Object and its Destiny, 1968-1983)
André Bazin
André Bazin, The Life and Death of Superimposition (1946)
André Bazin, Will CinemaScope Save the Film Industry? (1953)
Jon Beasley-Murray, Whatever Happened to Neorealism? Bazin, Deleuze, and Tarkovsky's Long Take
Dan Friedman, Bazin at Last; or, The Style Is the Man Himself (on the collection Bazin at Work)
Walter Benjamin
Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction
Nicole Brenez
Nicole Brenez, The Ultimate Journey: Remarks on Contemporary Theory
Adrian Martin, Ultimatum: An Introduction to the Work of Nicole Brenez
Bill Routt, For Criticism (on Brenez's book, De la Figure en général et du corps en particulier: l'invention figurative au cinéma)
Gilles Deleuze
Gilles Deleuze, The Movement-Image and its Three Varieties: Second Commentary on Bergson (Chapter Four of Cinema 1: The Movment-Image)
Gilles Deleuze, Speaks on Cinema 1 and 2
Stephen Arnott, Deleuze's Idea of Cinema (on Deleuze and Guattari: New Mappings in Politics, Philosophy and Culture, edited by Eleanor Kaufman and Kevin Jon Heller)
Jon Beasley-Murray, Whatever Happened to Neorealism? Bazin, Deleuze, and Tarkovsky's Long Take
Jeffrey A. Bell, Thinking with Cinema: Deleuze and Film Theory (on 'Gilles Deleuze, Philosopher of Cinema', special issue of the journal Iris, edited by D. N. Rodowick)
Jeffrey A. Bell, Response to Jonathan Beller's
Jonathan Beller, Cinema, Capital of the Twentieth Century
Michael Boyce (aka m-angle-angel), The Cinemachine
Garnet Creighton Butchart, Thinking Through Cinema (on Gilles Deleuze's Time Machine by D. N. Rodowick)
Jinhee Choi, Bergson: Before the Deleuze (on The New Bergson, edited by John Mullarkey)
Tom Conley, Film Theory 'After' Deleuze (on Apres Deleuze: Philosophie et esthetique du cinema, edited by Dominique Chateau and Jacinto Lageira)
Robert W. Cook, Detteritorialization and the Object: Deleuze across Cinema
Gregory Flaxman, The Laws of Cinematic Hospitality (a response to Andrew Murphie's review-article on The Brain Is the Screen)
Daniel Frampton, On Deleuze's Cinema
Michael Goddard, Beauty Lies in the Eye (So Why Can't I Touch It?) (on 'Deleuze, Guattari and the Philosophy of Expression', a special issue of the Canadian Review of Comparative Literature edited by Brian Massumi)
Amy Herzog, Reassessing the Aesthetic: Cinema, Deleuze, and the Art of Thinking (on Barbara M. Kennedy's Deleuze and Cinema: The Aesthetics of Sensation)
Jane W. Hudson, Cybervamp
Eleanor Kaufman, Deleuze, Klossowski, Cinema, Immobility (a response to Stephen Arnott's review-article on Deleuze and Guattari: New Mappings in Politics, Philosophy and Culture)
Barbara M. Kennedy, Fugitive Spaces -- Between the Critical and the Creative (a reply to Amy Herzog's review-article on Deleuze and Cinema: The Aesthetics of Sensation)
Matt Lee, Taking Deleuze (On) (on Negotiations)
Robert Lort, Jean-Luc Godard, Inbetween Deleuze
David Martin-Jones, Review of Barbara M. Kennedy's Deleuze and Cinema: The Aesthetics of Sensation
David Martin-Jones, A Site for Sore Eyes (on Enculturation's special issue, 'On the Film/Image', edited by Jim Roberts)
Andrew Murphie, Is Philosophy Ever Enough? (on The Brain Is the Screen, edited by Gregory Flaxman)
Joseph Nechvatal, La Beauté tragique (on Dorothea Olkowski's Gilles Deleuze and the Ruin of Representation)
Stephen O'Connell, Detective Deleuze and the Case of Slippery Signs
Dorothea Olkowski, La Longue durée (a reply to Joseph Nechvatal's review-article on Gilles Deleuze and the Ruin of Representation)
Edward R. O'Neill, Apprehending Deleuze Apprehending Cinema (on Der Film bei Deleuze/Le cinema selon Deleuze edited by Oliver Fahle & Engell)
Edward R. O'Neill, Can the Time-Image Be Postmodern? Deleuze, Titanic, and The Matrix (link to audio file)
Paul Patton, Godard/Deleuze: Sauve Qui Peut (La Vie)
Patricia Pisters, From Mouse to Mouse -- Overcoming Information
Patricia Pisters, The Possibilities of Immanence (on 'Gilles Deleuze: A Symposium', a special issue of Theory, Culture and Society edited by Mike Fetherstone)
Darlene Pursley, Review of Gilles Deleuze's Time Machine by D. N. Rodowick
D. N. Rodowick, A Short History of Cinema
D. N. Rodowick, Reading the Figural
Louis Schwartz, Deleuze/Cinema/Nation/Author
Louis Schwartz, Deleuze, Rodowick, and the Philosophy of Film (on Gilles Deleuze's Time Machine by D. N. Rodowick)
Richard Smith, The Philosopher with Two Brains (on 'Gilles Deleuze: A Reason to Believe in this World', a special issue of the journal Discourse, edited by Reda Bensmaia and Jalal Toufic)
Donato Totaro, Gilles Deleuze's Bergsonian Film Project
Thomas Carl Wall, The Time-Image: Deleuze, Cinema, and Perhaps Language
Michael Wood, Cheerfully Chopping up the World (on Gilles Deleuze's Time Machine by D. N. Rodowick)
Nina Zimnik, 'Give me a body': Deleuze's Time-Image and the Taxonomy of the Body in the Work of Gabriele Leidloff
Nina Zimnik, What Will This Century Be Known As? Deleuze and Resistance for Theory (on 'A Deleuzian Century?', a special Issue of the South Atlantic Quarterly edited Ian Buchanan)
Jacques Derrida
Nichola Dobson, Politicising Disney (on Deconstructing Disney by Byrne & McQuillan)
Erin Manning, A Critical Ellipsis: Spacing as an Alternative to Criticism (on Deconstruction and the Visual Arts edited by Brunette & Wills)
Nina Zimnik, Thinking Television (on Echographies de la television by Jacques Derrida)
Martin Heidegger
Michael Bischoff, The End of Philosophy and the Rise of Films
Iain Thomson, The Silence of the Limbs: Critiquing Culture from a Heideggerian Understanding of the Work of Art
Phenomenology
Jeffrey A. Bell, Phenomenology, Poststructuralism, and the Cinema of Time
Josh Cohen, Phenomenology, History, and the Image: A Reply to Kathleen Fitzpatrick (responding to her review of Spectacular Allegories)
Bohdan Y. Nebesio, How to Account for Cinematic Experience? (on Mitry's The Aesthetics and Psychology of the Cinema)
David Sullivan, Noemata or No Matter?: Forcing Phenomenology into Film Theory (on Allan Casebier's Film and Phenomenology)
Robert E. Wood, Toward an Ontology of Film: A Phenomenological Approach
Photography and the Image
Evan William Cameron, Thinking through Imagery (on The Craft of Thought by Mary Carruthers)
Mary Carruthers, Reply to Cameron (on Cameron's review of The Craft of Thought)
Melissa Clarke, Senses of Time Evoked by Artistic Images (on Time and the Image, edited by Carolyn Bailey Gill)
Jan-Christopher Horak, The Archeology of Vision (on The Image in Dispute edited by Dudley Andrew)
Jeffrey S. Longacre, After Photography: Deconstructing the Era of the Image (on Scott McQuire's Visions of Modernity)
Scott McQuire, Reply to Longacre
Glen Norton, Is There Personality in a Textbook? (on Jacques Aumont's The Image)
Jeffrey Pence, Machine Memory: Image Technology and Identity (on Celia Lury's Prosthetic Culture)
C. Paul Sellors, Rediscovering the Cinema (on Brian Winston's Technologies of Seeing)
Garrett Stewart, Last Things First (a reply to Sutton's review of Between Film and Screen)
Damian Sutton, Photography and Cinema from Birth to Death (on Garrett Stewart's Between Film and Screen)
R. J. Warren Zanes, Photography Into Motion (on Fugitive Images: From Photography to Video, edited by Patrice Petro)
Psychoanalytical Film Theory
Briana Berg, Film Theory, Psychoanalysis, and Figuration (on Endless Night: Cinema and Psychoanalysis, Parallel Histories, edited by Janet Bergstrom)
Jamie Clarke, The Parallax Review (on Endless Night: Cinema and Psychoanalysis, Parallel Histories, edited by Janet Bergstrom)
Rebecca M. Gordon, Waiting for Dawn to Break (on Endless Night: Cinema and Psychoanalysis, Parallel Histories, edited by Janet Bergstrom)
D. N. Rodowick
D. N. Rodowick, Audiovisual Culture and Interdisciplinary Knowledge (book)
D. N. Rodowick, Audiovisual Culture and Interdisciplinary Knowledge (essay)
D. N. Rodowick, The Crisis of Political Modernism
D. N. Rodowick, Paradoxes of the Visual
Garnet Creighton Butchart, Thinking Through Cinema (on Gilles Deleuze's Time Machine)
Louis Schwartz, Deleuze, Rodowick, and the Philosophy of Film (on Gilles Deleuze's Time Machine)
Michael Wood, Cheerfully Chopping up the World (on Gilles Deleuze's Time Machine)
Jean Louis Schefer
Jean Louis Schefer, On La Jetee
Katya Mandoki, An Enigmatic Text: Schefer's Quest upon a Thing Unknown (on The Enigmatic Body)
Paul Virilio
Paul Virilio & Louise Wilson, Cyberwar, God and Television: An Interview
Sean Cubitt, Unnatural Reality (on The Vision Machine)
Ted Kafala, Cinematic Media in the Age of the Quantum Particle (on Polar Inertia)
Douglas Kellner, Virilio on Vision Machines (on Open Sky)
Joseph Nechvatal, Review of Paul Virilio's 'Ce qui arrive' / 'Unknown Quantity' (at the
Fondation Cartier pour l'art contemporain in Paris, France, 2002/2003)
Slavoj Zizek
Slavoj Zizek and Geert Lovink, Japan through a Slovenian Looking Glass: Reflections of Media and Politic and Cinema Andrew Murphie, I'm Not Joking -- Lacanian Nostalgia Ain't What It Used To Be (on Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock)) Edward R. O'Neill, The Last Analysis of Slavoj Zizek (on Cogito and the Unconscious) John Orr, Right Direction, Wrong Turning (on The Fright of Real Tears: Krzysztof Kieslowski between Theory and Post-Theory) Oliver C. Speck, What Do You Really Want From Zizek? (on The Sublime Object of Ideology) Richard Stamp, Our Friend Zizek (on The Fright of Real Tears: Krzysztof Kieslowski between Theory and Post-Theory) Emperor's New ClothesHypertext provides a non-linear environment in which to read and write, and it is this that will provide the models, the necessary ways of thinking in and about, what the non-linear text might be. It is hypertext that 'emphasizes that the marginal has as much to offer as does the central, in part because hypertext . . . redefine[s] the central by refusing to grant centrality to anything', and that hypertext's 'dissolution of centrality, which makes the medium such a potentially democratic one, also makes it a model of a society of conversations in which no one conversation, no one discipline or ideology, dominates or founds the others.' (Landow 1992, pp. 69-70.) Furthermore, hypertext provides 'The basic experience of text, information, and control, which moves the boundary of power away from the author in the direction of the reader, models such a postmodern, antihierarchical medium of information, text, philosophy, and society.' (Landow 1992, p. 70.) It is within hypertext that this 'antihierarchy' is available, for both writer and reader, whereas the multimedia model can only provide this liberty from the completed object to the reader. However, as poststructural narrative theory argues, such 'granting' of readerly freedom is not the prerogative of the author -- it never was, and is inherently a reflection of a print based notion of the authority and privilege of the book. In multimedia the reader is apparently free because the text has made it so -- and all animals are created equal, some are just more equal than others. This is one of Deleuze and Guattari's (1991, p. 7) points, in what is perhaps the crucial document for hypertext theorists, as they conclude their introductory genealogy of texts and utterances with the idea of the rhizome. The rhizome provides It is not sufficient for the completed text, or the end of a publication process, to invite or provide the rhizome -- the rhizome is, as they say, 'a subterranean stem' and 'is absolutely different from roots and radicles' (Deleuze and Guattari, p. 6). This is in contrast to 'the root-book' where 'The tree is already the image of the world' (p. 5), and 'The radicle-system' as 'the second figure of the book' (p. 5) where 'The world has become chaos, but the book remains the image of the world: radicle-chaosmos rather than root-chaosmos. A strange mystification: a book all the more total for being fragmented.' (Deleuze & Guattari, 1991, pp 5-6.) It is hypertext, not multimedia, that is a rhizome.
Once again, the World Wide Web -- and the Internet in general -- can be considered an exemplar of this. These services will rapidly make multimedia, and certainly multimedia based on the studio/CD-ROM model of production, redundant. However, this is not because the Internet is first and foremost a multimedia vehicle (the Web constitutes only one part of Internet traffic), it is because the Internet makes visible the very issues that Deleuze and Guattari are describing. Email, mail lists, newsgroups and File Transfer Protocol (FTP) are already rhizomatic, and these were in place well before the cornucopia of the Web. The Web is a significant development of these existing technologies, and unlike multimedia it is being written and read by all comers, for as Deleuze and Guattari rather presciently suggested "There are no points or positions in a rhizome, such as those found in a structure, tree, or root. There are only lines." (Deleuze & Guattari, 1991, p. 8.) Burnett (1993), in endorsing Deleuze and Guattari's 'rhizomatics,' argues that By definition the rhizomatic text cannot be produced from the top down, as Moulthrop (1994, p. 301), partly relying on Massumi (1991), argues Yet, through the institutionalised model that multimedia so readily lends itself to, and its associated cultural agendas, what is being articulated is logos with a new veneer. The multimedia industry as it is currently being developed and supported relies upon a hieratic model of production.
However, as Deleuze and Guattari point out, it is the rhizome that fundamentally problematises reader and writer, producer and consumer. Multimedia, at least in its current corporatised model, is not able to offer this possibility:
What hypertext is able to realise, on an everyday basis, is the possibility for people to be writers and readers of non-linear, interactive, digital texts. This is where the new media revolution will occur, in the same way that the history of the book only became fundamentally revolutionary when it was combined not just with universal reading, but with universal literacy. To be able to read and write, that is the trick.
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